Padgett Arango and Johannes Claerbout

FADE IN:
EXT APARTMENT BUILDING - EVENING
Establishing shot of an nice apartment building in Detroit. A title card reads: Detroit, Michigan.
INT APARTMENT - EVENING
The apartment is nicely furnished, obviously the home of a rather well-off individual. The owner of the apartment is NELSON, a senior citizen, with a fair bit of cash. He is seated at his apartment's dinner table with LILA, a gorgeous twenty-five year old brunette. They are holding hands across the table, having recently finished dinner.
NELSON
Have I ever told you that you're the most beautiful woman I've ever met, Lila?
LILA
Every day since I met you.
NELSON
Good. Just wanted to make sure it hadn't slipped my mind. (BEAT) Stay with me, Lila. Promise me you'll stay with me.
Lila begins to cry and runs away from the table. Nelson follows her and puts his arms around her.
NELSON
What is it? What'd I say?
LILA
I want to stay with you, Nelson. I really do. It's just that...I don't know how to tell you this, but....I have to leave town. Tonight.
NELSON
Whoa. Hold on a second. What do you mean you have to leave town tonight?
LILA
I have to. I don't want to, Nelson, please believe me. The last two weeks have been the best of my life. You've made me so happy. I never want to be away from you. It's just that, before I met you, I was in a bit of trouble. I needed some money to pay off my debts, so I had to go to a loan shark. I've sold everything I had, but it still wasn't enough. He's going to hurt me, Nelson. I'm scared.
NELSON
It's all right, Lila honey. I'll take care of everything.
LILA
You don't understand. I'm supposed to meet with him in a few hours. If I don't have the money, he'll kill me. I don't want to die, Nelson. I don't want to die.
She collapses, crying, in Nelson's arms. He holds her and runs his hands through her hair.
NELSON
You don't have anything to worry about.
LILA
What do you mean? There's no way out of this. I have to get out of town now. Don't make this any harder for me than it is, Nelson. I don't want to leave you.
NELSON
Lila, baby. I love you.
LILA
Now don't say that.
NELSON
Why not? It's true.
LILA
But it makes it so hard to leave.
NELSON
Now, I told you I'd take care of everything. Just tell me one thing. Do you love me?
Lila looks up at him, solemnly.
LILA
I love you, Nelson.
NELSON
That's all I needed to know.
He moves away from her and walks over to his desk.
LILA
What are you doing?
NELSON
I'm writing your loan shark friend a check. How much do you owe him?
LILA
Nelson, you can't!
NELSON
Nonsense. It's the least I can do. How much?
LILA
Twenty thousand. But it's my problem, not yours! You don't have to...
Nelson tears the check out of the checkbook and turns to her.
NELSON
I know I don't have to, Lila, but I want to be able to help you. I want you to leave your old life behind. I want you to be able to stay with me forever. Will you stay with me, Lila?
LILA
Oh, yes, Nelson! Yes!
She runs over and throws her arms around him. They kiss and both smile. She takes the check from his hand and they both head towards the door.
LILA
I'm supposed to meet him in an hour I'd...I'd better be going. I'll be back soon, and then all our worries will be over.
Nelson holds the door open for her as she steps out.
NELSON
Are you sure you don't want me to go with you?
The camera circles around from Nelson's POV, that of the back of Lila's head, around to face Lila, who is holding the check, her eyes drying.
LILA
No. No, I'm sure I'll be just fine.
She walks down the hallway, leaving Nelson standing in the doorway watching her. The camera quickly tracks downward through the floors of the building, until it reaches the ground floor, as Lila steps out of the stairway. The camera follows her out the front door to a waiting convertible, driven by FLAHERTY, a sixty-three year old man, dressed in a suit that might once have been in good condition. Lila gets in the passenger seat.
FLAHERTY
You get the money?
Lila pulls out the check and smiles. Flaherty throws the convertible into drive and burns a twenty foot skid mark into the road as he peels out into the street.
CUT TO:
CREDITS
FADE IN:
EXT PAWN SHOP WINDOW - DAY
Flaherty is standing at the exterior window attempting to cash the check they collected from Nelson. Lila is waiting patiently by the car. A title card reads: Lima, Ohio. The TELLER at the window appears fairly frustrated at Flaherty's attempts.
FLAHERTY
Look. I know the check's good. The man's a god damn millionaire.
TELLER
I'm sorry, sir. The bank says the account has been closed.
FLAHERTY
God damn it!
TELLER
If you'd like to call the bank yourself, that would be no problem.
FLAHERTY
No. No, never mind.
Clearly beaten, Flaherty returns to the car.
LILA
Get the cash?
FLAHERTY
Nope. Account was closed. Must have happened last night when you didn't go back. Like I said.
LILA
Oh.
FLAHERTY
Yeah.
He paces for a minute, then, overcome by the frustration of the moment, kicks the car, sending a hubcap flying.
FLAHERTY
God damn it! Why the hell'd you have to leave last night? I told you you should have gone back.
LILA
Fuck you! I was sick of that guy. Besides, I thought...
FLAHERTY
You thought? Who the hell do you think you are? That was your first god damn con, and I've been doing this shit for the past thirty years!
LILA
Yeah, well you weren't the one in there with him. If I didn't get out last night, I might never...
FLAHERTY
No such thing as never. You gotta learn that. Look, I don't care if you liked the guy or not. First thing you've got to learn is to play parts. If you've got to be a man's lover, you learn to love that man with every waking thought. If you don't learn that much, you'll never get anywhere in this business.
LILA
I know all that. You've been telling me that since the day I met you.
FLAHERTY
Yeah, but I haven't seen you do it once. Look, sugar, I don't need you. I've worked solo most my life, and I sure as Hell don't need you now.
LILA
Yeah, but you can use me, can't you? People are much more willing to fall for a pretty face, right?
FLAHERTY
You may have something there.
LILA
You know I have something there. I'm cut out for this sort of thing. You said so yourself.
FLAHERTY
What I said is that you might not be bad at this.
LILA
And I was doing pretty well there for a while.
FLAHERTY
I've seen worse. Look, admit you blew this one, and I'll set you to work on our next one.
LILA
Fine. I fucked up. What next?
FLAHERTY
You think you can handle this sort of thing?
LILA
What sort of thing?
FLAHERTY
The whole vamp thing.
LILA
Sure. Why?
FLAHERTY
I want you to go find yourself a nice, rich bachelor and settle down.
LILA
What?
FLAHERTY
Some rich, dumb kid. Find one and marry him.
LILA
You've lost it, Flaherty.
FLAHERTY
The hell I have. What's the problem?
LILA
Won't fly around here. I've been through this area before. Someone will recognize me.
FLAHERTY
All right. We'll head south.
He reaches into the car and pulls out a road map.
FLAHERTY
How about Huntsville?
LILA
Alabama?
FLAHERTY
Alabama.
LILA
Fine.
FLAHERTY
Good. Take the car. I'll meet up with you in a few days. You'd better be married and he'd better have money.
LILA
I'll do my best.
She takes the car keys from Flaherty, gets in the car, then drives off, as he shouts after her.
FLAHERTY
You'll have to do better than that..
INT FANCY RESTAURANT - NIGHT
Lila is seated at a table with HARRISON, a young, dumb Southern boy. He is dressed in a nice suit, but he looks notably uncomfortable in it.
The two are seated at a booth at the side of the restaurant, holding hands across the table, similar to the scene with Nelson. Harrison is gazing at Lila with utter and complete adoration. They both wear wedding rings. Harrison reaches into his jacket pocket and pulls out a rose. Title Card: Huntsville, Alabama.
HARRISON
Happy Anniversary, Honey.
LILA
Doesn't it seem kind of silly to be celebrating a one week anniversary?
HARRISON
Not to me it doesn't. I just want you to know how much I love you, Lila.
LILA
Uh-huh. Well, I love you too sweetheart.
HARRISON
I arranged reservations for our honeymoon today.
LILA
Oh, good. How exactly did your father make his money again? Textiles, you said?
HARRISON
You don't need to worry about it, honey. I'll take care of you.
LILA
I just want to know what it is I'm getting into here.
HARRISON
Lila, honey. All you need to know is that I love you more than life itself, and that I'll take care of you till the day you die.
LILA
That's very sweet of you.
HARRISON
It's the truth. I can't live without you, darlin'.
LILA
You know I feel the same way about you, my sweet. I just feel like you're keeping me out of your life.
HARRISON
It's not that, it's just that I don't feel my wife needs to be involved with all that boring business talk. Steel working? It's not that much fun.
LILA
Of course. Excuse me, I have to go visit the ladies room.
Lila gets up, leaving Harrison staring at her, entranced.
INT RESTAURANT HALLWAY
The hallway leading back to the bathrooms is fairly nondescript, two doors and a telephone. Flaherty is on the phone, his back turned to Lila as she walks past on the way to the ladies room. He turns around.
FLAHERTY
Not even going to say hello, Lila?
LILA
Flaherty? Flaherty? Where the hell have you been?
FLAHERTY
Got pulled in on a vagrancy charge the first day I pulled into town. Just got out this afternoon. How's tricks?
LILA
How's tricks? How's tricks?!?
FLAHERTY
Keep your voice down.
LILA
Do you have any idea what life has been like since I last saw you? I've spent every god damn minute of the past week and a half with that inbred redneck hick drooling all over me! I've had to sleep with that fuckin' goober for the past seven nights! Do you have any idea what it's like going to bed with a Southern man? I would rather sleep with a horde of wild Mongols than another one of these cow-fucker little pissants. What the fuck am I doing this for?
FLAHERTY
You're doing this for money. Lots of it. He's rich, right?
LILA
Yeah, he's rich. Daddy made a bundle in textiles or peanuts or something like that. He doesn't want to give me access to his bank account, though. Thinks a woman doesn't need to deal with that sort of thing.
FLAHERTY
Well, you know how to pick em.
LILA
Yeah, but I didn't think I'd have to stay with him for a week.
FLAHERTY
You want to get away?
LILA
Hell, yeah!
FLAHERTY
Fine. Let's go.
LILA
What? Here?
FLAHERTY
Yup. You're being kidnapped.
Flaherty pulls a sealed envelope and a pen out of his pocket.
LILA
What's that?
FLAHERTY
Ransom note. What's his name?
LILA
Harrison. Tyler Harrison.
FLAHERTY
Fine. All right, let's go.
He drops the envelope on the floor and the two head out the back door.
EXT HOTEL ROOM - NIGHT
The car pulls up in front of a hotel room out of town. The two get out of the car. A TOURIST unloading a suitcase out of the car next to the driver's side door pauses in his work.
TOURIST
Say. Nice car.
FLAHERTY
(curtly)
Thanks.
TOURIST
No. I mean it. That's a real beaut! Gorgeous.
The tourist grabs the Polaroid hanging around his neck and points it at the car. Lila poses for the picture. The tourist looks through the viewfinder, sees Lila posing, looks up, smiles at her, then prepares to take a picture. Flaherty looks up as the flash goes off. He dives across the car towards the tourist. He snatches the picture and stuffs it into his back pocket.
FLAHERTY
Give me that!
TOURIST
Hey! Give that back.
FLAHERTY
Look. Just mind your own business and everything will be just fine.
The tourist looks at Flaherty, is cowed, then hoists his suitcase out of the car. Flaherty places his hand on Lila's elbow and leads her into the hotel room.
LILA
Why did you have to do that?
FLAHERTY
You don't want pictures of you floating around. Things go bad, people have an idea who to look for. Besides, how would it look if you were supposed to be kidnapped, and someone had a picture of you gallivanting about while you're supposed to be being tortured by kidnappers.
LILA
Fine. So, how long do I have to stay here?
FLAHERTY
Few days, at most. Look, you're going to have to stay put. Don't let anyone see you. If they recognize you, it's all over.
LILA
Okay. What are you going to do?
FLAHERTY
I'm going to tail the kid for a while. Make sure he doesn't go to the police.
LILA
Why wouldn't he?
FLAHERTY
Told him I'd kill you if he did. He's dumb, right?
LILA
Yeah.
FLAHERTY
Good. Should be enough, then. Might have to mail him your hand or something. Better follow him just to be sure.
Flaherty dashes out. Lila sits down on the bed and sighs.
EXT BUS STATION PARKING LOT - DAY
Harrison is walking quickly across the parking lot towards the station. Flaherty is following behind, generally succeeding at looking inconspicuous. He follows Harrison as he ducks inside the terminal.
INT BUS STATION
Harrison walks toward the front desk, as the TICKET AGENT eyes him suspiciously.
HARRISON
Uh, miss. I think there's been an accident outside. There's a man lying with blood all over him. You'd better go take a look.
The ticket agent stares blankly at him, clearly not believing what Harrison is saying.
TICKET AGENT
Why don't I just call an ambulance?
HARRISON
No. He needs help right away. I think you need to go help him.
TICKET AGENT
You could help him?
HARRISON
No, I think he needs, uh, special help. You'd better hurry. I think it's serious.
TICKET AGENT
I suggest you leave quickly, before I call the police.
Harrison does not move, and the ticket agent picks up the phone. Before she can dial, though, Flaherty steps in and distracts her.
FLAHERTY
Excuse me, miss. Could I get change for a twenty? A ten and ten ones, if you don't mind. I just need to get a pack of smokes. Nasty habit, I suppose, but better than some.
The ticket agent bends down to get the change, and Flaherty gestures to Harrison to take off, which Harrison wisely does.
FLAHERTY
You know, I did promise my kid I'd stop smoking, maybe I'd better just trade these in for a ten. Keep me from feeding them into the damn machine, right? Sure is fine weather we're having, isn't it? Nothing like Alabama in the spring. You know, this is all kind of silly. Why don't you just take that ten and the stack of ones and give me my twenty back?
The teller hands him the twenty. Flaherty smiles, pockets the thirty dollars and heads out of the station.
EXT BUS STATION PARKING LOT
Harrison is nervously pacing that parking lot, then notices Flaherty's approach and freezes.
HARRISON
Thanks a lot. I sure do owe you a big...
FLAHERTY
What the hell were you doing in there, kid?
HARRISON
I needed some cash. Long story.
FLAHERTY
I got time. Let's go get some coffee.
Flaherty begins to walk off. Harrison gets confused, but follows.
INT COFFEE SHOP
Camera tracks along counter of coffee shop until it finds Harrison and Flaherty. Flaherty is smoking and drinking coffee while the kid talks. It should be clear they have been talking for some time.
FLAHERTY
So, why do you need cash all of a sudden?
HARRISON
My wife was kidnapped.
FLAHERTY
That's a damn shame. Why not just pay them off?
HARRISON
I'm flat broke is why. Spent my last few dollars buying her dinner last night.
FLAHERTY
Why the hell would someone kidnap a woman with no money?
HARRISON
Aw, she had money. I just can't get to it. We've only been married a week.
FLAHERTY
I see. So you figured you could swipe cash from a bus station register to pay them off?
HARRISON
Seemed like a good idea at the time.
FLAHERTY
How much?
HARRISON
How much what?
FLAHERTY
How much do the kidnappers want?
HARRISON
Half a million.
FLAHERTY
That's a pretty piece of change.
HARRISON
Tell me about it. I've never had more than a hundred bucks in my life.
Flaherty rubs his forehead, obviously caused pain from the whole situation.
FLAHERTY
Kid, can I give you a piece of advice?
HARRISON
I could use it.
FLAHERTY
Women. Avoid them.
HARRISON
What?
FLAHERTY
Ok, here it is. I'd just sit back and wait. Don't go to the cops. Don't steal any more money. Just give me a couple hours to think about it. I think I can help you some.
HARRISON
I just met you. Why would you want to help me?
FLAHERTY
Why? Because I don't want anything to happen to your wife. She sounds like a lovely woman.
HARRISON
You'll help me, mister? How?
FLAHERTY
I don't know yet, but I'm thinking. Let's go, this coffee's terrible.
They get up and go to pay their bill. At the cash register, Flaherty reaches his hand into the fishbowl of business cards, grabs a handful, and stuffs them into his wallet.
HARRISON
Say! Nice wallet.
FLAHERTY
Thanks. If there's one thing you should come to appreciate, it's the value of a nice wallet. I've had this one for years. I picked it up last time I was down in Cuba. So, if your wife's so rich, how come she decided to marry you? True love?
HARRISON
You know, the first time I ever saw that woman, I figured there was no way I'd ever have her. Lila pulled into town, all dolled up like a big city woman and driving a nice old car. I knew she was way out of my league, but, hell, my daddy always told me anything worth having is worth working for, so I spent most of my college money on some new clothes, a few nice dinners. Dropped a few hints that I was rolling in cash, and next thing you know, we're at the justice of the peace. And now I'll probably never see her again.
FLAHERTY
Heartbreaking. Look, I've gotta take care of a couple errands. I'll meet you here in two hours. Just sit down and have some coffee. You'll feel better.
Flaherty takes off down the street, leaving Harrison at the doorway. He turns and returns to the coffee shop.
INT HOTEL ROOM - DAY
Flaherty walks in the room. He is calm, but it is apparent to Lila that something is wrong.
LILA
How'd it go?
FLAHERTY
Fine.
LILA
He go to the police?
FLAHERTY
No.
LILA
Is he going to pay the ransom?
FLAHERTY
Off hand, my answer would be no.
LILA
No?
FLAHERTY
No. Do you know why?
LILA
(meekly)
No.
FLAHERTY
(screaming)
Because he doesn't have any fucking money! He's a dirt-poor country boy who was probably born in a god damn barn. He spent his childhood thinking a night on the town was a trip to the feed store. What the hell gave you the idea he was rich? What in the name of all that is holy gave you the idea that this piece of shit country boy had more than a dime to his name? Why on earth would anyone think that little inbred opossum would be rich?
LILA
He dressed nice.
FLAHERTY
He dressed nice.
Flaherty laughs.
LILA
What?
FLAHERTY
You got burned by a peanut farmer.
LILA
Look, you didn't give me any instructions when you sent me down here. You told me to get married and I did....
FLAHERTY
No. I told you to find someone rich and marry him. You married some guy who has to think twice before splurging on fries!
LILA
I don't have to take this shit!
FLAHERTY
Where the hell are you going?
LILA
I'm leaving. I can't take it any more. I'm better off on my own.
FLAHERTY
The hell you are! You're nothing without me.
LILA
You're that good?
FLAHERTY
Yeah. The best.
LILA
If you're so god damn good, let's see you make a buck out of this one.
FLAHERTY
Fine.
LILA
What?
FLAHERTY
Fine. You stay here. I'll take care of everything.
Flaherty grabs a suit from a hanger and leaves. Lila starts after him, then realizes that it is impossible for her to leave the room without incurring possible bad circumstances.
LILA
Where the hell are you going? Come back here!
Sound of car pulling away. Lila slams the door and falls down on the bed.
INT COFFEE SHOP
Harrison is seated alone at the counter. Flaherty, now dressed in a snazzy suit, comes up behind him and taps him on the shoulder.
FLAHERTY
I figured it out. Come on. Let's get some dinner.
EXT STREET
The two are walking down the street, en route to dinner.
HARRISON
Okay, how am I going to get her back?
FLAHERTY
Kid, let me ask you something.
HARRISON
Shoot.
FLAHERTY
What are you willing to do to get her back?
HARRISON
Anything. Anything at all.
FLAHERTY
Do you consider yourself a charmer?
HARRISON
Well, my cousins always said that..
FLAHERTY
No, what I mean is, you ever think of using that face to, well, convince people of things that weren't necessarily true?
HARRISON
Oh. Like a flimflam man!
FLAHERTY
Sure. Just like a flimflam man. You've got a good face for it. Believable. Trustworthy. Lots of people will fall for it.
HARRISON
But I'm horrible at lying. You saw me at the bus station.
FLAHERTY
Do you know what a con means? Confidence. You've got to have confidence in yourself. You've got to have confidence in your ability. And, most of all, you've got to have confidence in your story.
HARRISON
I did.
FLAHERTY
The hell you did! Did you honestly believe that there was a man bleeding to death out there? Did you see a man dying a slow death? If someone had asked you what was in the parking lot, would your first response have been, a man holding in his own intestines in a futile attempt to keep them from falling out?
HARRISON
No.
FLAHERTY
It's just a question of confidence. Confidence and attitude. With those two, you just can't lose.
HARRISON
I just don't think I'm cut out for it.
FLAHERTY
It's easy. Watch.
Flaherty enters the doorway of a restaurant they are passing. Harrison pauses for a minute, then follows.
INT RESTAURANT- DAY
Harrison and Flaherty are seated at a table. The WAITER comes over to take their order.
FLAHERTY
Two prime ribs. And put it on my tab.
WAITER
I'm sorry, sir. We don't keep tabs here.
FLAHERTY
And why the hell not?
WAITER
Restaurant policy.
FLAHERTY
Do you value your job here?
WAITER
Yes, sir.
FLAHERTY
You don't know who I am, do you?
WAITER
No, sir.
FLAHERTY
You mean to tell me you haven't seen one thing in the paper about the film production crew in town?
WAITER
No, sir.
FLAHERTY
I can't believe it. Kid, who's supposed to be doing publicity for us?
Harrison remains silent. Flaherty glares at him, trying to convey that the entire con will fall unless Harrison joins in and backs up Flaherty.
HARRISON
Uh....Michael?
FLAHERTY
Yeah, that's it. Michael. Have him fired. Tonight! God damn it, no one in this town's heard about it. Hundred million they're spending on this film, you'd think the town would be excited.
WAITER
Oh, we are sir!
FLAHERTY
Oh, you're excited and you haven't even seen the set?
WAITER
The set?? Sure, I've seen the set. It's the...set! With all the trucks. By the street.
FLAHERTY
Okay, that's better. But I still want Michael fired.
HARRISON
I'll take care of it.
FLAHERTY
Good. Say, you've got a good face there, kid.
WAITER
You think so?
FLAHERTY
Sure. I'm a director, aren't I? I know a camera face when I see one! Say, why don't you give me a call tomorrow? Maybe we can work something out for you?
WAITER
Really?
FLAHERTY
Sure. You could have a future. Here's my card.
Flaherty pulls one of his business cards out of his pocket and hands it to the waiter. The waiter stares at it, confused.
WAITER
Pest control?
FLAHERTY
You don't know much, do you kid?
WAITER
No sir.
FLAHERTY
Good. Call me tomorrow.
WAITER
I will, sir. (BEAT) How would you like your steaks?
INT RESTAURANT
Harrison and Flaherty are dining on some lovely steaks.
FLAHERTY
See how easy it is, kid? Admit it, you liked helping me out back there. You feel that rush? We had that waiter in the palm of our hands. You get it, kid? You're a natural!
Harrison talks with a chunk of steak wedged into his mouth.
HARRISON
It was kind of fun.
FLAHERTY
Kid, you ain't really lived life until you've had a man eating out of your hands. Anything you say is God's own truth in their eyes. Anything you do is the Word and Law. You are their entire existence. That, my friend, is what living is all about.
HARRISON
Yeah. Yeah, that sounds nice.
FLAHERTY
Nice doesn't begin to describe it. (BEAT) So, are you in or out?
HARRISON
Hell, I'm in. If it can get me my wife back.
FLAHERTY
Oh. Your wife. No problem. You need half a mil, right?
HARRISON
Half a million by tomorrow at six or they kill my darling Lila.
FLAHERTY
No problem. I've got everything under control.
HARRISON
You do?
FLAHERTY
(gesturing with steak knife)
Doubt is the first step to failure. Trust, my friend, is the golden road pathway to success.
He stares at the steak knife he holds in his hand, then lunges across the table apparently driving the knife into Harrison's right shoulder. Harrison screams. Flaherty opens his hand, revealing that he stabbed him with the butt of the knife. He shows Harrison his shirt, which has clearly not been stabbed.
FLAHERTY
Trust.
INT TAX ASSESSOR'S OFFICE - DAY
Harrison and Flaherty are loitering about, waiting to be helped by the teller, who is lost in the stacks somewhere.
HARRISON
Why are we here?
FLAHERTY
Kid, you've got to go to where the money is. Who are the five richest people in town?
HARRISON
I don't know. Mr. Spanzotti just moved in last year and bought up that mansion on Williams.
FLAHERTY
Probably in with the Mob. Who else you got?
HARRISON
Old Widow Spelman always paid for her groceries with hundred dollar bills.
FLAHERTY
Old widow? You want the AARP on our ass? No. We need someone who would be willing to drop half a million on a land deal.
HARRISON
Oh. How about Jefferson Hughes? Someone had told me that he gets kickbacks from his city council post.
FLAHERTY
Perfect. Let's just take a look at his file. Make sure he has the cash on hand.
The teller walks up to the counter.
TELLER
May I help you?
FLAHERTY
Yes, I'd like to take a look at my tax returns from last year. The name's Wilson. John Wilson.
TELLER
One moment, sir.
The teller heads off to the far end of the stacks. Flaherty watches her leave, then hurdles the counter and runs back into the stacks. Harrison looks around nervously.
The teller runs her fingers over the files, and, failing to find the requested file, heads back. Flaherty finds the file he is looking for and heads back, sees the teller at the desk and cowers in the aisle.
TELLER
I couldn't seem to find your...where is your friend?
HARRISON
Uh, he had to go to the bathroom. Nose bleed.
TELLER
(disgusted)
Ah. Well, tell him to come back when he's feeling better.
The teller heads back off into the stacks. Flaherty dives out, grabs Harrison by the shoulder, and the two rush out into the hallway.
FLAHERTY
Nosebleeds?
HARRISON
It was the best I could think of.
FLAHERTY
Good enough. Anyway, I got the file. Looks like Hughes is definitely our man. Loads of suspect deductions. Pulled in over four million last year. I couldn't have asked for a better mark.
HARRISON
I don't know if this is such a good idea.
FLAHERTY
Why the hell not? The man's begging to be hit. We'll start first thing in the morning.
HARRISON
I told you he was on city council, right?
FLAHERTY
So? What of it?
HARRISON
He runs this town. Police. Fire department. All of it. Won't he get mad if we take half a million from him?
FLAHERTY
He would if he thinks we took it from him. But we're going to be so smooth, he's going to be thanking us for taking his money Besides, you want to save your wife, right?
HARRISON
Yeah.
FLAHERTY
Do anything for her, right?
HARRISON
Anything.
FLAHERTY
Good. Now let's find ourselves a hotel. You're going to want to get some sleep in you. We're going to have a long day ahead of us tomorrow.
LILA'S HOTEL ROOM - EVENING
Lila is sitting on the bed, holding her head in her hands. She is plainly extremely bored. She picks up the remote control from the bedside table, then turns on the TV. The TV comes to life in a burst of static.
LILA
No TV. Right.
She turns off the TV and falls back on the bed. She closes her eyes as if to sleep, but the sound of the television in the next room is extremely loud. The camera tracks through the wall to the neighboring room, where an academic looking PHYSICIST is watching the NASA channel, as he undresses for bed. The camera tracks back across to Lila's room, who is lying in bed, eyes open, unable to sleep due to the noise.
LILA
I don't fucking believe it.
Lila gets out of bed and goes over the window. She pulls open the curtains and notices the sign in front of the hotel. It reads: Welcome Southeastern Regional Projectile Physicists Convention. Lila throws the curtains closed in disgust.
LILA
Damn physicists.
She stands by the window, holding the curtain in one hand. She walks over to the wall and pounds on it. Cut to shot of Physicist's room, as he picks up the remote and turns up the volume.
LILA
Son of a bitch is gonna pay.
Lila looks around the room, angrily. She glares at the broken TV set, at the phone, then at the wall from which the sound is emanating.
She smiles, hikes up her skirt, and slides off her underwear. She opens her door, looking carefully to make sure she is not observed, and sneaks over to the physicist's room. She hangs the panties on his door handle, makes a note of the room number, then heads back to her room. She strides towards the telephone and punches in the extension of the neighboring room. The camera tracks so that both the Physicist and Lila are in frame, with the wall separating them.
PHYSICIST
Hello?
LILA
(sexily)
Hi there.
PHYSICIST
Ummm....hi. Who is this?
LILA
I'm your new friend.
PHYSICIST
Uh, great. Why are you calling me?
LILA
I'm going to be doing a lot more than just calling you. You won the convention sweepstakes and guess who you're getting as a prize?
PHYSICIST
What sweepstakes?
LILA
It wasn't really publicized. Now, here's what I want you to do, put down the phone and open your door. I left you a present.
The Physicist puts down the phone and walks to the door. He opens it and picks up the panties. He closes the door and picks up the phone.
PHYSICIST
OK. Now what?
LILA
Now, I want you to take off all your clothes and put on my panties. Then blindfold yourself.
PHYSICIST
What? Why the hell should I do any of this? I have no idea who you are.
LILA
How was the convention?
PHYSICIST
(flustered)
It..it was fine. I presented my paper on differential imaging equation typology.
LILA
Sounds like you did a great job. Don't you deserve to get out of yourself for a while? Take a walk on the wild side.
PHYSICIST
I don't know.
LILA
Let me take over for a while.
Pause.
PHYSICIST
Blindfold?
LILA
Trust me.
She hangs up the phone, leaving the Physicist looking confused. He hangs up the phone and begins to undress as the camera tracks back to Lila's room. She picks up the phone again and dials.
LILA
(with Southern accent)
Hello, Police. I'm staying at the Twin Oaks Motel and there's this, well, (WHISPERED) prostitute next door. Yes, they're making so much noise and, you know, I'm very sensitive to that sort of thing, and I just can't stand to be so close to something like that. You will? Oh, thank you officer.
Lila hangs up the phone and walks out her front door. The camera tracks over to the Physicist's room, where the Physicist is blindfolded with his tie, wearing nothing but Lila's panties, lying face down. Lila enters front door and closes it behind her.
LILA
Hi, lover.
PHYSICIST
I've never done anything like this before in my life. I don't know what I'd tell my wife if she ever found out.
LILA
I know. I'm not going to tell her.
Lila walks over to the Physicist's pants and pulls out a heavy leather belt. She stands over the man and raises the belt over her head. She is grinning widely. It is pretty clear that she is enjoying herself.
LILA
You worthless piece of trash. You'd lick my boots just to get a whiff of me!
PHYSICIST
Uh, sure.
LILA
Sure? Sure?
She snaps the belt over him. He screams.
LILA
Let me make this clear. I am your mistress. There is no "uh, sure" with me. Do you understand?
PHYSICIST
Yes.
LILA
Yes, mistress!
PHYSICIST
Yes, mistress.
LILA
Good. Now, are you ready for your punishment?
PHYSICIST
Yes, mistress!
Lila whips the Physicist repeatedly with the belt. He screams with pleasure. She stops, listens, and hears sirens in the distance. The Physicist whimpers pathetically.
LILA
Hold on a moment. You're a big boy. I'm need to get my special tools.
He whimpers happily. Lila walks over the door connecting the two rooms and unlocks it. She then heads out the exterior door, leaving it open. Police cars pull in and two police officers walk into room.
PHYSICIST
Once again, mistress! Beat me like a mule!
POLICE OFFICER
I'd be glad to, boy.
The police officers grab the Physicist and drag him out by the shoulders, as the Physicist cries. The police close the door behind them. The room remains still for a moment, until the adjoining door opens and Lila enters. She looks around, sees that the room is empty, then enters and turns on the television set. She lies down on the bed, notices an open bottle of water by the bedside and takes a drink from it, while settling down to watch TV.
After a moment of watching TV, she picks up the Physicist's pants and pulls out his wallet. Removing first the cash, she pulls out the man's license and credit cards, and reaches over to the bedside table to get pencil and paper. She starts writing.
INT HOTEL - NIGHT
Harrison is tossing in turning in bed. Flaherty is seated at the table, reading the paper and smoking.
FLAHERTY
Having trouble getting to sleep? Want me to turn out the light?
HARRISON
No. It's not that.
FLAHERTY
What is it, then? Not enough coffee?
HARRISON
No. I'm just a little nervous about hitting Hughes. I mean, he'll kill us when he finds out. Shit like this didn't happen at the Piggly Wiggly.
FLAHERTY
Oh, you're just nervous. I used to feel that way before a job, too. Don't worry. It gets better.
HARRISON
What makes you think I'll do it again?
FLAHERTY
You should be glad you're starting out so big. I had to pull short cons in convenience store parking lots for six years before I saw a job in the four figures?
HARRISON
What did you do?
FLAHERTY
Nothing big. Quick little two-bit con jobs. Not the most profitable, but not too risky.
HARRISON
Like what?
FLAHERTY
Well, I was a card man, myself. Knew almost any card trick under the sun.
HARRISON
Show me one.
FLAHERTY
You got any cards?
HARRISON
There's some in the drawer. On top of the Bible.
He reaches over and pulls out the cards. Flaherty takes them and begins shuffling.
FLAHERTY
All right. This one doesn't take a whole lot of slight of hand, just a lot of confidence. Watch closely.
Flaherty begins shuffling the cards, one-handed. He starts tossing the cards back and forth between hands, then settles on one hand and shuffles them there.
FLAHERTY
Keep your eye on the cards, sir. Don't miss a second. Now, pick one.
Harrison reaches out and picks a card. He looks at it, then slides it back into the deck. Flaherty shuffles the deck.
FLAHERTY
Now, at this point, you bet the mark you can't draw the card out of the deck, with your eyes closed. So, where's the card?
HARRISON
In your sleeve.
FLAHERTY
Very good.
HARRISON
How is that going to help me with Hughes?
FLAHERTY
Everything I teach you. Every move I make. The way my lip twitches before I take a drink of coffee will help you with Hughes.
HARRISON
Maybe I'm just not cut out for this.
FLAHERTY
Kid, I'm just trying to help you out. How long have you lived in this town?
HARRISON
Twenty three years.
FLAHERTY
This is something different. Something new. Something exciting. Pulling a job just makes you feel alive. Makes you feel right out there on the edge. There's something about it that just makes life worth living.
HARRISON
You think so?
FLAHERTY
I'd be dead if it weren't. Look, why don't you go take a walk? Get some fresh air. Think about it for a while.
Harrison turns to leave, turns back, and grabs the cards. He begins trying to shuffle, does okay for moment, then fumbles and sends cards flying. Flaherty internally winces.
FLAHERTY
Think on it.
EXT STREET - NIGHTTIME
Harrison walks down the deserted street. He walks past a bar, then walks in.
INT BAR
Harrison is seated next to a BUSINESSMAN. The businessman looks fairly sauced. It appears that both have been drinking together for a while.
BUSINESSMAN
See, my old lady keeps trying to get me to find another job, but I keep telling her I'm happy where I am. Are you happy where you are?
HARRISON
I haven't figured that out yet. Look, buddy, I feel real bad about all your troubles. Say, why don't you let me buy the next round of drinks?
BUSINESSMAN
No. I can't let you do that. I've really had enough. Wife's going to kill me.
HARRISON
All right.
Harrison pulls out the deck of cards and begins shuffling.
BUSINESSMAN
What are those for?
HARRISON
Pick a card.
The businessman reaches out and picks one, then slides it back. Harrison begins shuffling fancily.
HARRISON
All right. If I can pull out the card you drew, you buy the drinks. Otherwise, I have to pick up the tab.
BUSINESSMAN
You're crazy. You'll never do it.
HARRISON
Three of hearts?
BUSINESSMAN
I'll be damned! Bartender! More drinks.
EXT STREET
Harrison walks back to the hotel feeling more confident.
INT HOTEL ROOM - NIGHT
Harrison opens the door. Flaherty is still sitting at the chair, smoking and staring at the wall.
FLAHERTY
Feeling any better?
HARRISON
Yeah. Yeah, I think I am.
FLAHERTY
Good. Better get some sleep. We're getting up in four hours.
COFFEE SHOP - DAWN
Flaherty and Harrison are seated at the counter, much as they were the day before. It is exceedingly early in the morning, as evidenced by Harrison's extremely groggy demeanor. Flaherty, on the other hand, is chain-smoking happily.
FLAHERTY
Beautiful morning, isn't it?
HARRISON
Why is someone pounding on my eyeballs? It's too damn early.
FLAHERTY
It's never too early. Another thing you gotta understand, kid. To get the job done right, you have to be willing to do anything, anytime to make your mark buy the story. If the mark wakes up at six, you're at his bedside with a plate of waffles. Got that?
HARRISON
Grumble. What are we doing anyway? You haven't told me shit.
FLAHERTY
I'll tell you when you need to know.
HARRISON
We're partners, right? Its six o clock in the god damn morning. I think I deserve to be told what the hell we're doing.
FLAHERTY
Hey there, Bubba. Calm down. First off, we're not partners. We gotta get me a car, and some clothes. You've got some decent clothes at home, right?
HARRISON
Just the ones I bought to marry Lila.
FLAHERTY
Don't remind me. Just do this. Head out to city limits and buy us an option on some land.
HARRISON
Why?
FLAHERTY
Trust. Don't make me stab you again. Just buy up thirty acres or so. Here, take this checkbook.
Harrison takes the checkbook and looks at the name.
HARRISON
Warren Darling?
FLAHERTY
Yeah. Now, whatever the farmer wants for the land, offer three times that. Got it?
HARRISON
Sure. But...
FLAHERTY
Doesn't matter. Just do what I say. After the farmer takes the check, slip him a stack of twenties to follow these instructions.
Flaherty pulls out a slip of paper and hands it to Harrison.
HARRISON
(reading)
"Should anyone ask about the new owner of the land, accept a bribe, then give him this phone number..." What phone is that?
FLAHERTY
Cell phone. It was in the briefcase. Nice, huh? Picked it up last night. Now, when you're done with that, head on back to the hotel.
HARRISON
What are you going to be doing?
FLAHERTY
Convincing Hughes your little plot of dirt is worth a half a million.
Silence.
HARRISON
Flaherty, I'm rapidly losing that trust thing.
FLAHERTY
Kid, you ever want to see your Lila again, you better get it back.
LILA'S HOTEL ROOM - DAY
Lila is back in her hotel room, already awake and alert. She is seated in bed, holding the piece of paper on which she has written the information gleaned from the Physicist's wallet. She leans over and grabs the phone, dials, and begins talking in a Southern accent.
LILA
Hello, First Alabama Bank? This is, uh, Mrs. Douglas Linder. Yes, Mrs. Elizabeth Linder. I'd like to open a new bank account, for my charity. The United Crippled Orphan's Fund. Why, that's wonderful. I'll stop by to fill out the paperwork tomorrow.
She presses down the receiver button, then dials again.
LILA
Hello, Northwest Airlines?
EXT CAR DEALERSHIP
Flaherty is standing about with a CAR DEALER.
CAR DEALER
Best damn car on the lot.
FLAHERTY
Grunt. How much?
CAR DEALER
Twenty-two thousand.
FLAHERTY
Ooooh. That's kind of pricey.
CAR DEALER
True, but you've got to understand that a car like this only goes up in value. And, I can give it to you for no money down.
FLAHERTY
No money down, you say? You speak my language.
CAR DEALER
From the moment you walked on this lot, I knew you were a sensible man. I'll have Edwina draw up the papers.
EXT MAIN ROAD
Flaherty, dressed in a sharp suit, is driving down the road in his shiny new convertible. He pulls into a full service gas station.
ATTENDANT
Can I help you, sir?
FLAHERTY
Yeah, fill up the tank, why don't you?
ATTENDANT
Right away, sir. Can I get you anything else?
FLAHERTY
Yeah, where can a guy get a bite to eat in this town?
ATTENDANT
Well, I usually eat at Wok Express...
Flaherty pulls out a fifty and holds it up in front of the attendant.
FLAHERTY
Let me rephrase that. Where would a guy like me want to eat?
ATTENDANT
Oh. Sir. That would be the Washington Club. But you need to be a member to eat there.
FLAHERTY
Perfect. Thanks, kid.
Flaherty hands the attendant the bill.
FLAHERTY
Thanks, kid.
Flaherty peels out, nearly causing an accident. He waves, then drives off. The attendant goes inside and talks to his coworkers.
ATTENDANT
Well, how do you like that? A forty dollar tip. I gotta tell Jim about this one.
INT HOTEL ROOM- DAY
Lila is on the bed, the phone book open in front of her. She runs her finger down the list of names, then dials. Cross cut between shots of the WIDOW in her kitchen and Lila.
WIDOW
Hello?
LILA
Hello, Ma'am. I'm calling as a representative from the Untied Crippled Orphans' fund. We're trying to raise funds for a new youth center for the children and are wondering if you could find it in your heart to donate.
WIDOW
Why, yes. I'd love to. Crippled orphans, you say?
LILA
Yes, Ma'am. Poor children with no parents and no legs.
WIDOW
Oh, that's awful!
LILA
Isn't it though?
WIDOW
Where should I send the check?
LILA
Bless you ma'am. If you could send it to...
Lila looks down at the paper that has the Physicist's home address on it.
LILA
...2347 West Kensington...
EXT STREET - DAY
Flaherty pulls his car up to a PASSERBY.
FLAHERTY
Excuse me, sir.
PASSERBY
Hello?
FLAHERTY
I was wondering if you could tell me....
PASSERBY
Wait. You're that rich guy from out of town!
FLAHERTY
How's you hear that?
PASSERBY
Word gets around.
FLAHERTY
(smiling)
Sure does. Say, do you think you could tell me how to get to the Washington Club?
PASSERBY
What's it worth to you?
INT WASHINGTON CLUB
The club is packed with well-dressed types, all of them clearly men of power. Flaherty enters, providing the maitre-d with a hefty bribe as he does so. He finds a waiter and places his hand on his shoulder, waving a bill in front of him as he does so.
FLAHERTY
Say, which one of these is Mr. Hughes?
WAITER
That one at the bar, sir.
Flaherty hands him the bill, then walks smoothly towards the bar, seating himself next to HUGHES, a paunchy, middle aged, old Southern politician.
FLAHERTY
Whiskey and soda. (to Hughes) Can I buy you a drink?
HUGHES
Why not? Bit early in the day, but one can't hurt. Scotch, if you don't mind. It's not often one finds a Yankee quite so generous as yourself, sir.
FLAHERTY
I'm new in town, so I figured it couldn't hurt to make some friends. Name's Wilson. Paul Wilson.
HUGHES
Pleasure to meet you, Mr. Wilson. You can call me Jefferson. So, what brings you to our fair city?
FLAHERTY
Business, really. I work for Chipco International. You've heard of us? Deal mostly in microtechnology. My employers sent me down here to purchase some land for our new factory.
HUGHES
Really? They must trust you an awful lot.
FLAHERTY
They sure do. Just told me to use my best judgment. No spending guidelines whatsoever.
Flaherty's cell phone rings.
FLAHERTY
Excuse me. I should probably get that. (into phone) Wilson. You don't say? The President? (to Hughes) Excuse me.
Flaherty bends over to take the call. Hughes is mobbed by the maitre 'd, the waiter, and assorted restaurant patrons.
WAITER
Do you know who that is?
MAITRE 'D
I hear his whole car's full of money!
Hughes begins beating them back. They flee. Flaherty closes the cell phone and turns back to Hughes.
HUGHES
So, uh, how do you like our town?
FLAHERTY
Nice place, but, and I hope you'll accept my apologies, I just can't wait to get back home to my wife.
HUGHES
Completely understandable. I take it, then, you have found your piece of land.
FLAHERTY
I believe I have. Perfect little spot just out on east 128. I think I'll be heading out around four to see how much the owner wants for it.
HUGHES
He's a lucky man.
FLAHERTY
Sure is.
HUGHES
I would think someone might try to beat you to it.
FLAHERTY
Happens all the time. Heck, I had to pay almost a million for the last one. Kind of unfortunate, but, hey, it's not my money.
HUGHES
That sounds like a fine set up you have there. Well, I've got to go. It was a pleasure talking to you, Mr. Wilson.
Hughes seizes Flaherty's hand with excessive vigor and flesh.
FLAHERTY
Pleasure's all mine, sir.
Hughes waddles out of the restaurant at full speed, hurrying to a pay phone. He fumbles with some change, then lifts the receiver and dials.
HUGHES
Brian? This is Jefferson. I need to find out about land for sale out on east 128. Have any lots been optioned recently? It has? Damn it! All right, give me the address.
Angrily, he hangs up the phone and waddles off. Rack focus reveals Flaherty standing, watching Hughes's departure, and smiling. He is surrounded by the waiter and the maitre 'd. He shoves them out of his way and leaves.
INT HOTEL ROOM
Lila is in bed on the phone.
LILA
Hello, is this Mr. Delroy McKenna of the Montana Militia. This is Elizabeth Linder of Huntsville, Alabama. I'd like to make a donation to your organization. Five thousand dollars. It's my pleasure, sir. Yes, I'll send out a certified check this evening.
EXT FARMHOUSE
MCMURTRY, a farmer, is standing about, leaning on a hoe and chewing a weed, when Hughes's excessively expensive car rolls in. Hughes steps out, sweating and wiping his brow.
HUGHES
Mr. McMurtry?
MCMURTRY
Yup.
HUGHES
Pleased to meet you, sir. I understand you sold this piece of land this morning.
MCMURTRY
Yup.
HUGHES
Who did you sell it to?
MCMURTRY
Don't reckon I should be telling you that sort of thing.
HUGHES
Look. I'm a member of the city council. I need to know.
MCMURTRY
Don't reckon I should be telling you that sort of thing.
HUGHES
How much?
MCMURTRY
Pardon?
HUGHES
How much would it cost to get you to tell me?
MCMURTRY
Don't rightly know.
HUGHES
Twenty dollars? Thirty?
MCMURTRY
I always felt that a business transaction is a private affair between two people.
HUGHES
Fifty, then? Look, I need to know who owns this land!
McMurtry looks at Hughes, who is on the verge of groveling pathetically.
MCMURTRY
One hundred.
HUGHES
Fine. Here. Now, who owns it?
MCMURTRY
Well, he never actually told me his name.
Hughes screams.
MCMURTRY
Young fellow. Good looking. Never mentioned his name. Left his phone number though.
HUGHES
What was it?
MCMURTRY
The number?
HUGHES
Yes!!
Hughes thrusts a handful of bills at McMurtry, who extends a torn piece of paper with the phone number on it. Hughes snatches it greedily and runs off with it back to his car, sweating and wiping his brow.
INT HOTEL ROOM
Flaherty is sitting on the bed, loosening his tie. Harrison walks out of the bathroom, and sits on the bed opposite Flaherty.
HARRISON
He's not going to call.
FLAHERTY
What the hell do you mean, he's not going to call? He bought the whole story. Don't think so negatively or you'll never be a decent, uh, flimflam man.
HARRISON
We're not going to get her back.
FLAHERTY
What? Who?
HARRISON
Lila. I'm never going to see her again. They're going to kill her.
FLAHERTY
Oh. Right. Look, kid. Just sit quietly and wait for the phone call. Do you want some coffee?
They sit in silence for a while, looking around the room. Tension mounts. Harrison stands up quickly.
FLAHERTY
Where are you going?
HARRISON
Can't take it any more. I'm going out for a walk.
FLAHERTY
The hell you are! What if the phone rings while you're out? You think about that?
HARRISON
It's not going to ring.
FLAHERTY
Kid, how many time's do I gotta tell you? Everything's gonna go fine.
HARRISON
I'm taking a walk.
Harrison tries to shoulder past Flaherty, and is about to succeed when the phone rings. They both freeze.
FLAHERTY
Answer it!
HARRISON
What do I say?
FLAHERTY
Don't tell him anything. Just agree to meet with his this afternoon.
HARRISON
Got it.
Harrison picks up the phone.
HARRISON
Hello. Yes. Yes. Oh, really. You don't say. Fine, I'll meet with you in an hour. Where?
He covers the mouthpiece and hisses at Flaherty.
HARRISON
Where?
FLAHERTY
How the hell should I know? You're the one who lives here!
HARRISON
Oh. Right. How about the park?
FLAHERTY
Fine.
HARRISON
(into the phone)
The park. Three o clock.
Harrison hangs up the phone and runs his hands through his hair.
FLAHERTY
You did good, kid. Didn't I tell you everything's gonna be all right.
HARRISON
Yeah, maybe you're right.
FLAHERTY
Course I'm right. Come on, we gotta get to your park.
They rush out.
EXT PARK - DAY
Harrison and Flaherty are loitering about. Flaherty is smoking and looking calm. Harrison looks like he is about to explode with tension.
FLAHERTY
Kid, if you don't relax, this isn't going to work.
HARRISON
What do you mean?
FLAHERTY
Look, do you remember your story?
HARRISON
Yeah.
FLAHERTY
Lemme hear it.
HARRISON
I'm working for an unnamed interested party in Atlanta who got a tip from a friend in the Department of Defense. I nabbed the land this morning, but my employer is willing to dump it for half a million.
FLAHERTY
Dump it? Come on. We're not dumping land here; we're offering him the deal of a lifetime! You could get one point five mil easy, but you could use a friend in town. Got that?
HARRISON
Yeah, I got it.
FLAHERTY
Good, because he's here.
HARRISON
What?
FLAHERTY
Over by the park bench. Good luck. I'll meet you in the car.
HARRISON
What? You're not coming with me?
FLAHERTY
How the hell could I come with you? I'm supposed to be a legitimate representative for a defense contractor. He sees me with you, we're finished.
HARRISON
But I can't do this alone!
FLAHERTY
Sure you can, kid. Just remember what I taught you. Believe in your story. Stay calm. If he tries to catch you on something, just bullshit him. Besides, you've got a good face. You'll be fine.
HARRISON
Easy for you to say.
FLAHERTY
You think I would have you do anything I haven't already done a million times? It's easy.
HARRISON
If it's so easy, how come you haven't done this a million times and retired?
FLAHERTY
Don't push me, kid. Look, just get over there.
HARRISON
I don't know...
FLAHERTY
You want to see Lila again?
HARRISON
Yeah. Right. Lila. See you in the car.
HOTEL ROOM - DAY
Lila is on her bed, still on the phone. She is looking a little less energetic, but is continuing to collect money for her fictional charity.
LILA
Ma'am, I'm sorry to hear that your son is crippled, but don't you want to help other children just like little Timmy? And besides, all that money you're spending on water therapy isn't really helping that much, is it? Exactly. Thank you, Mrs. Pettus.
Lila hangs up the phone and sighs.
LILA
God damn these people are slow!
She picks up the phone again and dials.
LILA
Hello, sir. I need some cash for crippled orphans, so put a check in the mail! What? Well, thank you, sir. Your generosity amazes me.
Lila rolls her eyes.
EXT PARK
Harrison and Hughes are seated on a park bench.
HARRISON
A pleasure to meet you, Mr. Hughes.
HUGHES
The pleasure's all mine. Though perhaps this is more business than pleasure.
HARRISON
Yes. I understand you are interested in purchasing a piece of land I acquired this morning.
HUGHES
Indeed. Let's not mince words, man. I need that land, so name your figure.
HARRISON
Half a million.
HUGHES
That's a pretty price for a few acres of dirt.
HARRISON
Yes, but we both know what that dirt is for. Either you're in or you're out.
HUGHES
I'll give you four hundred thousand.
Harrison gets up to leave.
HARRISON
I'm sorry. I find that offer unacceptable. Perhaps Mr. Wilkins can give me a more competitive offer.
HUGHES
Wilkins?
HARRISON
The fellow from the defense contractors.
HUGHES
Funny. I could have sworn his name was Wilson.
HARRISON
Wilson, Wilkins. Doesn't really matter, does it? You spoke earlier of mining words, so let's not mince any here. That land should be worth a small fortune by the end of the week and you and I both know it. Mr. Hughes, I know you're a businessman, and this is just business. If you are not willing to pay what I ask, I am perfectly willing to settle with Wilson and clean up for myself. But, if the price is right, I wouldn't mind having a friend in town. Four hundred k is not the right price. So, unless you have anything more to say, good day to you, sir.
HUGHES
Now, wait a moment there, boy. Let's not be so hasty. Perhaps we can still arrange something.
HARRISON
Half a million. Cash. No discussion.
HUGHES
It's in my car.
INT HARRISON'S APARTMENT - DAY
Harrison and Flaherty enter, Harrison holding on to a small black sports bag.
FLAHERTY
Nice place you've got here.
HARRISON
Thanks. How'd I do?
FLAHERTY
You did good, kid. Real good.
HARRISON
Thanks. I'm sweating like a pig, though.
FLAHERTY
Go take a shower. We've still got an hour before we have to go drop off the cash.
HARRISON
Shouldn't we get there early? Just to be safe.
FLAHERTY
No, get there early, and they'll probably be suspicious.
HARRISON
All right. Do you think they'll let her go?
FLAHERTY
Why wouldn't they? Don't be silly. Go take your shower.
Harrison runs off to the bathroom, leaving Flaherty to wander around the room. He sees a wedding picture of Lila and Harrison.
FLAHERTY
Fucking unbelievable.
He starts to put the picture back down, then, before resting it on the table, picks it back up again. He looks over at the bag of cash, then at the picture. He slams the picture back down on the table, feels his back pocket, and pulls out the Polaroid picture. Grabbing scissors, he cuts the picture to wallet size, then slips it into his picture holder in his wallet. He views the wallet and grins.
FLAHERTY
Damn, that's smooth.
INT BATHROOM - DAY
Harrison steps out of the shower, dripping wet, and is confronted with Flaherty shoving the picture of Lila that is in his wallet in Harrison's face.
FLAHERTY
Look familiar? Is this your wonderful wife? Is this the five hundred thousand dollar woman?
HARRISON
What the hell are you talking about?
He snatches the picture holder from the wallet.
HARRISON
You kidnapped Lila!!
Harrison dives at Flaherty and attempts to choke him. While being choked, Flaherty whispers hoarsely.
FLAHERTY
My wife too. My wife too.
Harrison releases him and looks confused.
HARRISON
Where the hell did you get that?
FLAHERTY
You marry a woman that looks like that, you gotta take pictures.
HARRISON
You're not married to Lila!
FLAHERTY
Not anymore. Had this picture taken just before she skipped town.
HARRISON
What?
FLAHERTY
Kid, I think you'd better sit down.
HARRISON
I'll be fine. Just tell me what the hell you're talking about.
FLAHERTY
Lila. She's my ex-wife. She ran out on me about eight months ago. Took all the cash I had. Hooked up with some rich bastard in Detroit, last I heard. Guess she got tired of him, decided to hit you.
HARRISON
Wait. Why would she want to hit me?
FLAHERTY
You told her you were rich, right?
Harrison sits down on the toilet, and holds his head in his hands.
HARRISON
Damn it, all she wanted was the money. God damn it. God damn it.
FLAHERTY
It's okay, kid. I fell for the same damn thing. It happens to the best of us.
HARRISON
It's not okay. I can't believe I trusted that...that...that woman!
FLAHERTY
Not entirely your fault. She's one hell of a looker. Nailed me in less than a week, and I'm supposed to be a pro at this.
HARRISON
Yeah. I suppose.
FLAHERTY
Good. Now put on some clothes.
HARRISON
Huh?
FLAHERTY
We gotta go drop off the ransom, remember?
HARRISON
After what she did to me? After what she did to you?
FLAHERTY
Look, it's not her fault she got kidnapped. On the other hand, we could go a long way with half a million dollars.
HARRISON
What do you mean?
FLAHERTY
Decent capital and a good face? no telling what kind of scams you can pull. Course, you wouldn't want to just abandon Lila like that.
HARRISON
Do you think they'd kill her if I didn't pay?
FLAHERTY
Who knows? Probably not.
Silence. Harrison looks at Flaherty, the bag, then the picture. More silence.
HARRISON
We should probably get her back.
FLAHERTY
Yeah. You're probably right. Besides, money isn't everything.
Both men immediately stop, as they become aware of the sound of approaching sirens. They run to the window and see a massive fleet of police cars rolling down the street.
FLAHERTY
Damn it, Hughes must have got wise. Put some clothes on. We' gotta get out of here.
EXT APARTMENT BUILDING - DUSK
Flaherty and Harrison open the door of the building carefully. They dive into the bushes as the fleet of cars pulls up in front of a house next door, which is already surrounded by police cars and news vans.
INT HOTEL ROOM- DUSK
Lila is still in bed, still on the phone. She looks very weary now.
LILA
Yes, Ma'am. For a donation of five thousand dollars, we will send you a special Crippled Orphan piggy bank.
She looks over at the TV, which is on mute, and sees news footage of a house surrounded by police cars, the house next to Harrison's apartment building.
LILA
Excuse me. Could you hold on a moment, Ma'am?
She drops the phone, allowing it to dangle by its cord, and hits the mute button on the remote. The sound comes on in mid-report. The picture remains the scene of police mobbing around the house.
ANNOUNCER
...on a tip from a potential victim. The police traced the address given by the phony charity to the house of Mr. and Mrs. Douglas and Elizabeth Linder. Mrs. Linder was led a away by police moments ago on twenty-seven separate counts of fraud. Mr. Linder was arrested last night on a charge of solicitation and is expected to be charged with conspiracy to commit fraud. Police suspicions were further aroused when the Linders opened a new bank account and purchased tickets to Rio de Janeiro this morning. Police are also investigating alleged ties to the Montana Militia, a connection which appears to have baffled Huntsville police detectives. The Linders had no comment.
The image on the screen cuts to a picture of the Linders' child, crying as his mother is taken away to jail.
ANNOUNCER
Their child, Ralph, will be placed in state custody until further events warrant.
LILA
Ha! Serves you right for turning up the fucking TV! Right, you bastard?
Lila is laughing hysterically.
VOICE FROM PHONE
Hello? Hello?
Lila picks up the phone.
LILA
Fuck off.
She slams down the phone and turns her attention back to the TV. The shot is now a wrap-up by the reporter. In the background is Harrison's house, and one can clearly see Harrison and Flaherty sneaking out of the bushes. Lila lunges toward the TV and points at their images.
LILA
What the hell are you doing there? What the fuck is going on here?
Lila runs around the room, stuffing her belongings in her bag. She runs out of the hotel.
EXT STREET - DUSK
Harrison and Flaherty are standing about on the side of the road. Flaherty is bending over, his hands resting on his knees. Harrison is also catching his breath, but is notably less winded. He holds the bag in one hand.
FLAHERTY
I'm getting old. Running from cops never used to tire me out.
HARRISON
You do this often?
FLAHERTY
Too often. This the place?
HARRISON
The note said I'm supposed to drop the cash down the storm drain here.
FLAHERTY
Seems like kind of a waste of money if you ask me.
HARRISON
How do you mean?
FLAHERTY
Half a million dollars is a hell of a lot of cash. You've heard the phrase it takes money to make money.
HARRISON
Yeah.
FLAHERTY
Works for con artists, too. You know what kind of cons we could set up with half a mil?
HARRISON
Good ones?
FLAHERTY
Damn good ones.
Silence.
HARRISON
I really should get my wife back, though.
FLAHERTY
Yeah. I suppose.
HARRISON
She screwed you?
FLAHERTY
Like a sailor on shore leave. Look, kid. I'm not going to lie to you. I don't want you to give up the cash. You and me, kid, we make a good team. You're good at this stuff.
HARRISON
I'm not that good at it.
FLAHERTY
The hell you aren't! You think I could talk someone out of a half a million? People don't trust me. Look at me. You know what you see? A two-bit con-man drifter low-life. I'm lucky to talk someone out of a buck or two. But someone with a face like yours? The sky's the limit.
HARRISON
So what should I do?
FLAHERTY
What should you do or what do I think you should do?
HARRISON
What do you think I should do?
FLAHERTY
Forget Lila. She's a tease. You're better off without her. Women like her are a dime a dozen. Northern city trash. The kinda money we'll have, kid, you can buy fifty of them, and still have enough to buy up half the state of Alabama.
HARRISON
But she's my wife.
FLAHERTY
She was my wife too, remember. Kid, forget about her. You've got something real here. You have one hell of a future ahead of you. Admit it, you like it.
HARRISON
It is kind of fun.
FLAHERTY
It's fun because you're good at it. You ever been good at anything, kid?
HARRISON
Not really.
FLAHERTY
No. And now that you've found it, are you going to let it slip right through your fingers?
HARRISON
I'm not sure.
FLAHERTY
What the hell do you mean, you're not sure! Come on, kid. We've got half a million dollars in that bag, and you want to toss it in the gutter so you can rescue some second-rate tramp!
Flaherty throws up his hands in frustration, then breaks into the nearest car.
FLAHERTY
You do what you want, kid. I'm heading out of town. If you're so smart you'll do the same. This city's crawling with cops and it won't be long before Hughes gives them a good picture of who to be looking for.
HARRISON
Fine. Let's go.
FLAHERTY
What about the money?
HARRISON
We stole it. It's ours.
FLAHERTY
What about Lila?
HARRISON
She was bad to you?
FLAHERTY
Kid, bad doesn't begin to describe it.
HARRISON
Let's ride.
INT DINER IN ARAB - NIGHT
Flaherty and Harrison are seated at a booth at a sleazy diner. Flaherty, as usual, is not eating, but smoking and drinking coffee. Title card comes up and reads: Arab, Alabama.
FLAHERTY
So, what do you know about this town?
HARRISON
About Arab? Not much. Small town. They've got a big Klan chapter.
FLAHERTY
How do you know that?
HARRISON
Word gets around.
FLAHERTY
Right. How's your steak?
HARRISON
Had better. It's mostly fat.
FLAHERTY
Let me see it.
Harrison slides the plate across the table. Flaherty pulls out his lighter and lights it. He proceeds to burn the steak badly.
HARRISON
(shouting)
What the...
FLAHERTY
Keep your voice down.
HARRISON
What the hell are you doing? I was going to eat that.
FLAHERTY
Don't worry. I'll get you another one.
Flaherty slides the plate in front of Harrison, then signals the waiter.
WAITER
Sir?
FLAHERTY
Do you work here?
WAITER
Yes, sir.
FLAHERTY
Look at my friend's steak.
The waiter peers at the badly burned steak.
WAITER
It appears to be burned, sir.
FLAHERTY
Hell, yes, it appears to be burned. The question is, what are you going to do about it?
WAITER
Apologize.
FLAHERTY
Where the hell is your manager?
Cut to a later scene. The manager is standing by the table. The waiter stands off to the side, looking sheepish.
MANAGER
Of course, sir. We'd be glad to replace your friend's meal. For free.
FLAHERTY
Thank you, sir. You are a gentleman. Unlike others in this establishment.
MANAGER
Yes, sir. He will be dealt with appropriately. (to the waiter) Get this man a steak!
The manager chases the waiter into the kitchen.
HARRISON
What the hell did you do that for?
FLAHERTY
Penny saved. Penny earned. All that.
HARRISON
We've got a half a million dollars, Flaherty. I think we can afford a steak.
FLAHERTY
Look, kid. It wasn't about a steak. You see how easy it was to work those two?
HARRISON
Yeah. So?
FLAHERTY
So, I'm willing to bet all the money I've got in this world that it's that easy to nail every single person in this town.
HARRISON
Impossible.
FLAHERTY
Look at these people, kid. I'd say not one in twenty has left the county. Probably at least half haven't left Arab in the past ten years. They'll believe anything we tell them.
HARRISON
You're full of shit.
FLAHERTY
Don't get defensive, Bubba. This could be a sure thing.
HARRISON
What could be a sure thing?
FLAHERTY
The job.
HARRISON
What job?
FLAHERTY
You set Wolfgang Puck loose in gourmet supermarket, are your really going to worry what he's going to do?
Harrison looks confused. He get up.
HARRISON
Look. I've got to find the bathroom. I'll deal with you and Mr. Puck later.
Harrison gets up and leaves the table. Flaherty calls after him.
FLAHERTY
Deal with me? You've got this whole thing backwards. I've got it all under control. Just...
Flaherty realizes Harrison is out of earshot.
FLAHERTY
Damn stubborn kid.
Flaherty lifts up a cup of coffee and sips. Lila's silhouette slides in the empty booth across from Flaherty. Flaherty continues to drink his coffee.
LILA
Aren't you going to say hello?
FLAHERTY
I never said goodbye.
LILA
We need to talk.
FLAHERTY
Yup.
LILA
When?
FLAHERTY
Tonight, most likely.
LILA
Most likely? What the hell's that supposed to mean?
FLAHERTY
Never take anything for granted that's what its supposed to mean. Where you staying?
LILA
Day's Inn. Edge of town.
FLAHERTY
Good. Get going. The kid might not have noticed you, but I spotted you two towns back.
INT HOTEL ROOM - NIGHT
Harrison and Flaherty walk into the hotel room. Flaherty tosses the duffel bag into the closet and slides it back, out of view.
FLAHERTY
Nice place, huh?
HARRISON
Sure. Flaherty, why am I here?
FLAHERTY
You're here because you love this stuff. Right?
HARRISON
Sure. Is it really a good idea to stick around here? Shouldn't we leave the state or the country or something?
FLAHERTY
Nah. Hughes will probably hold off on calling the cops for a while. Won't want to admit he got conned. See, we've got at least a couple days to maneuver, so might as well take advantage of our location.
He strides over to the window and throws open the drapes, revealing the main drag of the town.
FLAHERTY
Look at these people, kid. Every single one of them is just begging to have their money taken. You know why?
HARRISON
No idea.
FLAHERTY
These people, they've got a lot of trust, but they don't know what to do with their trust. See, kid, trust is a two-way street. You trust the right people, you've got it made. You trust the wrong people, and you're liable to spend the rest of your days homeless in El Salvador. These people are perfect. We'd be fools to let this opportunity slip by!
HARRISON
Yeah. You're right.
FLAHERTY
Hell, yeah. You're in?
HARRISON
I'm in.
FLAHERTY
Good. Now get some sleep. I'm going to go do a little scouting.
Harrison nods.
INT HOTEL ROOM
Lila is lying on the bed, bored. Knocking is heard as the door opens. Flaherty enters.
FLAHERTY
You shouldn't just leave your door open. You never know...
Flaherty ducks as Lila throws a phone book at him.
LILA
What the hell are you up to? Why the fuck did you leave me back there? You're trying to get rid of me, aren't you? You fucking tired of me, Flaherty? Is that what it is?
FLAHERTY
Lila, I've got it all under control.
LILA
The hell you do! Last thing I saw you and the goober were running from the cops.
FLAHERTY
Look, things have changed. Let me explain the new setup.
LILA
Go right ahead.
FLAHERTY
Remember when I described the land scam deal to you?
LILA
Yeah, the one you said never to pull...
FLAHERTY
...'cause it's too dangerous, right. I got the kid to pull it.
LILA
What? Did it work?
FLAHERTY
Fuckin'-a, it worked. Half a mil.
LILA
Five hundred thousand?
FLAHERTY
Yup. Kid's got a good face.
LILA
Great. When do we lose him?
FLAHERTY
Lose him? Hey, he's got a good face. We could use a guy like that.
LILA
What? Look, when I met you you didn't even want a partner. Four months I spent before you'd even talk to me! Now you want to take in some fresh-faced little southern punk you've only known two days?
FLAHERTY
You never brought in five hundred grand.
LILA
The kid goes or I go.
FLAHERTY
That's a tough choice.
LILA
Fuck you.
FLAHERTY
I'm just kidding, hon. We'll be losing the kid real soon. But I need you to understand a few things. I'm not keeping you over the kid because you're better, because you're not. But you could be better. A hell of a lot better. You know what he's got that you don't?
LILA
Tell me.
FLAHERTY
Kid's got ears. He listens to what I tell him to do, and he does it. The kid's got patience. He didn't back out of the job before it was done. And he can act. That goober you were sleeping with wasn't the same man I saw talking to Hughes back there. You know what you got that he doesn't?
LILA
Fuck you.
FLAHERTY
I'm serious. You've got a look, and that's something the kid'll never have. But if you don't do anything with it, that's all you'll ever be.
LILA
Thanks for the flattery. I'm touched. Harrison. When does he go?
FLAHERTY
Tomorrow. The cops take him.
LILA
Another brilliant scheme?
FLAHERTY
Last one worked. You want in on this?
LILA
I just want him gone.
FLAHERTY
Fair enough. After tomorrow, we never see the kid again.
LILA
You should have dumped him back in Huntsville.
FLAHERTY
Lila, if I dropped the kid back there, the cops would have had him before he hit the ground. Even if I had let him drop the money down the drain, Hughes would have had him behind bars. Kid would've given our names and faces and we wouldn't have made it out of Madison County without a full-on Bonnie and Clyde. I figure, we get him out of town, string him along for a bit, then get him set up on some job where no one's seen either of us. By the cops get onto us, we're down in Gulf Shores living it up.
LILA
Why wouldn't they find us down there?
FLAHERTY
I've got friends. Just let me handle it.
LILA
So what do I do?
FLAHERTY
Sit back and wait. Watch some TV.. I'll stop by around noon.
LILA
How do I know you're not going to leave town again?
FLAHERTY
Don't know. Trust?
LILA
Ha.
Flaherty shrugs.
INT HOTEL ROOM - MORNING
Flaherty opens the door and throws a bag of donuts at Harrison, who is, in turn, blinded by the sunlight.
FLAHERTY
Rise and shine. Got a big day ahead of us.
HARRISON
Don't you ever sleep?
FLAHERTY
Not if I can help it. Now, get out of bed. We're going shopping.
INT WAL-MART - DAY
Flaherty and Harrison are standing in the television section chatting with a SALESPERSON.
FLAHERTY
This your best model?
SALESPERSON
Yes, sir. 35" screen. Full Dolby sound. Top of the line. Couldn't do any better.
FLAHERTY
How much?
SALESPERSON
Eleven hundred. Plus tax.
FLAHERTY
Great. I'll take six of 'em.
HARRISON
What?
FLAHERTY
Six of 'em. Do I get 'em here or pick them up around back?
SALESPERSON
Around back, sir. Are you planning to pay for this by check, sir, because, if so, I'm going to have to...
FLAHERTY
Not necessary. Paying with cash, my friend.
SALESPERSON
Cash? This isn't anything illegal, is it, sir?
FLAHERTY
Perish the thought. I'm setting up an office in town. Need some TVs for the waiting room.
SALESPERSON
Right. An office. I'll just go write up the slips.
FLAHERTY
Perfect. Say, think we could pick up a dolly while we're here?
EXT STREET - DAY
Harrison and Flaherty are standing out on the street. The car is overflowing with giant TV sets.
FLAHERTY
Ready?
HARRISON
Sure. But I still don't understand why we're doing this.
FLAHERTY
You don't need to. Let's go over your story again. Now, I'm the housewife. Make me believe.
HARRISON
OK. Hello, ma'am. I'm from the Pan Southern Electronic Company. We recently invested in a number of fine television sets, and have been forced to declare bankruptcy. As a result, we are forced to unload...
FLAHERTY
Don't be apologetic. You're giving them the deal of a lifetime.
HARRISON
Sorry. As a result, we are forced to offer you the deal of a lifetime. We are willing to sell you one of these beautiful television stets...
As he has been speaking, the camera has tracked around from facing Flaherty when he spoke to a tight facial shot of Harrison. The camera continues tracking around while zooming out, reveling that Harrison is no longer talking to Flaherty, but to a HOUSEWIFE.
HARRISON
...for the bargain price of one hundred dollars. It would be a shame to pass on an offer like this, ma'am.
HOUSEWIFE
I don't know. How do I know it works and all?
HARRISON
Ma'am. As you can see, I've brought one of these fine sets with me, and I would be extremely happy to allow you to test it out in the comfort of your own home.
HOUSEWIFE
Really? You really are a good man, aren't you?
Cut to later shot of the two watching the TV in action.
HOUSEWIFE
I've got to admit, it is a beautiful set.
HARRISON
It sure is. Ma'am, you're not going to get a better deal than this.
HOUSEWIFE
I suppose you're right. Is cash all right?
HARRISON
Cash is always all right.
The housewife digs in her purse.
HARRISON
Ma'am. There's one more thing I need to ask you.
INT HOTEL ROOM - DAY
Flaherty is seated on the bed, watching TV and smoking. Harrison enters. Flaherty does not look up.
FLAHERTY
How'd you make out?
HARRISON
Just fine. I sold seven thousand dollars worth of TV sets for six hundred bucks. Great way to make cash, boss.
FLAHERTY
Don't need to talk back, you know. You've been doing this for, what, two days?
HARRISON
I just don't see how throwing away money is going to help us out.
FLAHERTY
Salting the mines, kid.
HARRISON
What?
FLAHERTY
Salting the mines. Oldest trick in the book. Hundred years ago, the best con going was in mining. Plant a couple nuggets of gold in a mine. Dig em up, and convince everyone the shaft's full of gold. People will trample each other to death to get their hands on that deed.
HARRISON
What the hell does this have to do with TV sets?
FLAHERTY
You got the names and numbers of everyone you sold to, right?
HARRISON
Yup. Like you said, I told them we might be calling for references.
FLAHERTY
Perfect.
HARRISON
Are you going to tell me now what the hell we're doing?
FLAHERTY
Sure. Grab the phone book. There a map in there?
HARRISON
Sure is.
FLAHERTY
Good. Now fold it in half.
HARRISON
You're not going to tell me what's going on, are you?
FLAHERTY
In due time, friend. Now, pick one half of the town.
HARRISON
OK.
FLAHERTY
Perfect. Now, you're going to go door to door selling TVs in every single house in that half.
HARRISON
What TVs?
FLAHERTY
That's the beauty of it. Same story as before, only, rather than showing them the TV, we tell them to call a few satisfied customers.
HARRISON
Then let them call the people we sold the other sets to?
FLAHERTY
Exactly. Beauty, eh?
HARRISON
It's not going to work.
FLAHERTY
Like hell it's not. Friend of mine made a couple hundred grand pulling this out in Arkansas. Works like a charm. Like a charm, I tell you. Damn it, it's almost noon. We've got to get out there. We've only got five hours.
HARRISON
Five hours?
FLAHERTY
Before their husbands come home. Come on. I'll meet you back here at five.
HARRISON
Then we leave town?
FLAHERTY
We leave town.
HARRISON
Good.
FLAHERTY
What's the matter? I thought you liked Alabama.
HARRISON
Now I know better.
EXT DOORWAY - DAY
Harrison is standing at the doorway, chatting with another housewife.
HARRISON
We recently invested in a small Korean electronics firm, and, due to the recent international capital crisis, we have been forced to declare bankruptcy on all of our derivatives. As a result...
INT HOTEL ROOM
Flaherty opens the door, startling Lila.
FLAHERTY
Grab your stuff. Time to get going.
LILA
You're late.
FLAHERTY
A little. I'm surprised you didn't skip town.
LILA
Figured I could trust you for ten more minutes. You dump the kid?
FLAHERTY
Not yet. Only a phone call away. Better get going, though.
EXT DOORWAY
Harrison is talking to yet another housewife.
HARRISON
...for the bargain price of five hundred dollars, but... Do you watch Days of our Lives?
HOUSEWIFE
Why, yes! That's Jeanette's a real bitch, isn't it?
HARRISON
Ma'am, since I'd hate for you to miss a minute of Days in full Dolby stereo, I'm willing to let this go for only a hundred...
EXT GAS STATION
Flaherty is on the phone outside. Lila is seated in the car.
FLAHERTY
(poor Southern accent)
Yeah, there's some kid wandering around. He tried to sell my wife a TV set. It seemed kind of fishy. I thought you might be interested. Yup, I live over on the east side, by the tracks. No, thank you, officer. I'm just doing my duty as a good citizen. Yes, I think I can give you a description. Sure, I'll wait.
Flaherty waits impatiently. Camera rack focuses back to Lila in the car. She looks at Flaherty, then hops out.
INT GAS STATION - DAY
Lila rushes in anxiously and leans on the counter.
LILA
Ma'am, could I please use your phone? It's an emergency. I need to call the police.
EXT DOORWAY
Harrison talking to yet another housewife.
HARRISON
Ma'am. Pardon me, but I must say you'd have to be some kind of fool to pass on this offer. One hundred dollars for this kind of entertainment complex is an offer you simply can't pass up. Just ask some of our other satisfied customers...
EXT GAS STATION
Flaherty is waiting in the car for Lila. She runs out of the gas station.
FLAHERTY
What the hell were you doing in there?
LILA
Just using the ladies room. Nothing interesting.
FLAHERTY
Good. Ready to get out of town?
LILA
I don't know.
FLAHERTY
You don't know? I thought you hated the South.
LILA
Still do. I'm just a little unsure about all this. Are you sure the cops will nab him?
FLAHERTY
Positive. Would it make you feel better to watch it go down?
Lila smiles. Flaherty starts the car.
EXT DOORWAY - DAY
Harrison talking to another housewife. The housewife hangs up the phone.
HOUSEWIFE
Well, Thelma sure does seem happy with her TV. How much did you say you were asking?
HARRISON
One hundred dollars. And it has to be cash. For tax reasons.
The housewife begins to stare over Harrison's shoulder as, first one, then nine or ten police cars pull up on the lawn of her house. Harrison remains oblivious to this and continues his pitch.
HARRISON
You see, ma'am, a deal like this doesn't just turn up every day. It's times like this that you really need to look at what's important in your life and chase that dream. What are you staring at?
He turns around and sees the mass of officers coming toward him. He turns and freezes. The police drag him away.
OFFICER
You have the right to remain silent. Anything you say can and will be used against you...
When Harrison and the arresting officers get outside, they find that a huge mob of angry citizens have gathered. They begin throwing things at Harrison as he is put into the police car. As the squad pulls out, the mob chases, cursing and throwing things. Camera cuts to inside the car, as Harrison looks out at the passing landscape and behind at the crowd. The car passes Flaherty and Lila. Lila waves to him and smiles. Harrison throws himself against the glass.
HARRISON
Nooooo.
Harrison slumps down in his seat and whimpers.
EXT SIDE OF STREET
Lila and Flaherty calmly watch the passing caravan.
FLAHERTY
God damn, those people look angry.
LILA
Sure do.
FLAHERTY
Wouldn't think losing a hundred bucks would piss them off that much.
LILA
Yeah. I didn't think it would.
FLAHERTY
Huh?
LILA
I called the cops and told them he had molested my daughter.
FLAHERTY
Oooooh.
LILA
Yeah. Then I called the minister over at First Baptist.
FLAHERTY
Oooooh.
LILA
And the head of the PTA.
FLAHERTY
Oooooh. (pause) You really don't like him, do you?
LILA
Nope. Come on, let's get out of here.
EXT BEACH FRONT HOTEL - DAY
Long Shot of a nice resort hotel overlooking the Gulf of Mexico. Title card reads: Gulf Shores, Alabama. Eight months later.
EXT VERANDAH - DAY
On the verandah of the same hotel, Lila and Flaherty are seated at a table, overlooking the ocean, sipping Mai Tais. They are both very well dressed now, looking every inch the wealthy tourists.
LILA
So what do you think of getting away from the office, eh, boss?
Flaherty chuckles.
FLAHERTY
Sure hate that grind, yes I do.
LILA
We did good back there, didn't we?
FLAHERTY
Boise?
LILA
The past is the past,. I'm talking about Lauderdale!
FLAHERTY
You're right on that one, doll. There was a day where I would've said that those fraternity boys had some limits on what they'd do to get laid during spring break, but now...
LILA
Can't sneeze at 20,000 dollars, Flaherty.
FLAHERTY
No, Ma'am. How you pulled that switch so quick, I'll never know.
LILA
Getting good, aren't I?
FLAHERTY
You're improving.
LILA
Whatever. Can we head back to the room early, I'd like to make some phone calls?
FLAHERTY
You're on vacation. Relax and enjoy.
LILA
I would, but ... C'mon, Flare, Social Security arrived today!
FLAHERTY
Lila. You've been doing a nice job. I'm very impressed. But you keep working the same scam for too long, something's gonna give. You get sloppy. For a while there, I thought we'd never get the cigarette boat.
LILA
There was never any doubt of us getting the boat!
FLAHERTY
It's all right to be thinking that way during the job. Hell, you don't think that way, we're both in trouble. But now we've got to slow down and take a look at our operation. Think how we might be able to improve the act.
LILA
I am who I am, Flaherty. I can't ever change that.
Flaherty's voice trails off as Harrison, now looking significantly older and less of a chump, sits down across from them.
HARRISON
Lila. Flaherty. Long time no see. Now, I suspect you are a little surprised at my arrival, and, truth be told, I'm more than a little surprised myself. You know what really surprises me, Flaherty, is seeing you living the good life up here. You know, when those cops grabbed me, I was convinced they'd be throwing you in the next day. But then I saw you two waving at me... Don't get me wrong, I sure was glad to see you again, Lila. It did throw me at first, though. I needed to do a little thinking. But, hey, I've had a lot of time to think lately. Hell, it's only been eight months since I've seen you two guys, but it's been a long eight months. You want to hear about it?
Silence.
HARRISON
Sure you do. See, I'd never really been to prison before, and, let me tell you, it wasn't as much fun as I'd been expecting. You see, they tell you all these stories about what they do to child molesters in prison, but you never really believe it until you've been there for yourself. (laughs) I must say, that whole child molestation thing really did make things pretty rough for me the first few days, but the doctors did said most of it would heal. I don't know. Here, listen to this.
He opens his jaw wide and it makes a god-awful cracking noise. Lila and Flaherty wince.
HARRISON
Things did calm down after a while after they moved me out of general and shacked me up with a real quality human being. Polmeron was his name. Gonzalo Polmeron. 360 pounds and not a hair on his body. It wasn't that he shaved, mind you. It was just that he didn't have a hair on his body. Never quite understood it. And trust me; I checked. But this Gonzalo, he was crazy. Killed his own mother. Said she couldn't make a decent bowl of mole. So he killed her. Can you believe it? Killed his own mother over a bowl of mole. I mean, I hate mole, doesn't matter to me.
Harrison helps himself to some of Flaherty's lobster.
HARRISON
Mmmm, that's good. Closest we got in the joint were fried fish sticks. Now Gonzalo, he would never so much as touch lobster, something about the bible. But this guy Gonzalo, what makes him so fascinating was ... here he was, about to be arraigned for killing his mother, and we get to talking. We had a lot in common actually. So we're talking about women, sports, you know, the usual, and he just comes out with this crazy story that ...
A waiter has arrived. Harrison breaks off his story to talk to him.
HARRISON
Let's see, what are you two drinking? Mai Tais? Fine. Three Mai Tais, please. You know, I seem to have misplaced my wallet. Flaherty, do you mind?
Flaherty, still speechless, reaches for his wallet. His nerves are at their end, and he is having trouble removing the bills. Harrison reaches across the table and takes the wallet out of Flaherty's hands.
HARRISON
Here, let me. You seem a little jumpy.
Harrison hands the waiter a twenty and waves him off. He moves to give Flaherty his wallet, but drops it. Shot from ground level as Harrison reaches down to get the wallet. He slides an identical wallet out of his sock, then places Flaherty's wallet in the sock, and returns up to the table.
HARRISON
Same old wallet, eh Flaherty? Good to see you've held on to it.
He hands Flaherty the wallet.
HARRISON
So, where was I? Right, in the cell. Anyway, he was telling me about this thing he'd done. You remember those headlines about a year ago? Some guy breaking into dorm rooms over in Auburn and beating them co-eds to death with chairs? Now that stuff was just strange. And what happened to the bodies afterwards... I can see you don't want to talk about this. So he just, boom, outs with this, that he did it. And I'm pretty shocked. I mean, these murders were unsolved, the police had no clues whatsoever. They said it had been the perfect crime. No evidence, no apparent motive, no witnesses, the police had all but given up. But Gonzalo was pretty worried. He'd been nabbed on that whole mother-killing thing. You remember, the mole? So, he was a little nervous about being in prison again. Worried that the cops would get wise to his past. I was pretty flattered that he had let me in on his little secret. We got along great. I mean, I was a little startled at first. Actually, I didn't think he'd done really it. But he knew all about the murders. Dates, places, weapons, all that. He talked about it so much, I got to know them myself. We settled into a groove. He'd tell me about the murder, I'd tell him a bit about what had gotten me thrown in the slammer. Talked about my last day on the outside and I'm pretty sure we put all the pieces together. I never did understand why you were so willing to help me out, Flaherty, but I guess, given the situation Lila put you in, you did the best you could. Hell, you guys did a fine job setting me up for a while. The lawyer they gave me pretty much told me I'd be spending at least seventy years in prison, given the number of fraud counts they had lined up. Those prosecutors had one hell of a case. Got almost seventy-six housewives lined up to testify. But, you know, Flaherty, if there's one thing you've taught me, if you're on thin ice, you might as well dance. When you get right down to it, no one respects a fraud, and I figured that, if I was going to spend 70 years inside, might as well go in with a bit of a reputation, right? So, there I was in court, about to be charged with seventy-six counts of fraud. I mean, you'd be nervous. Hell, I was nervous, I started confessing to all sorts of things. And I've never even been to Auburn! Can you believe it? No one bought it at first, but they had to. I knew all the places, the dates. I even remembered what they were wearing. What a feeling! I mean, to go into a court of law on trumped up charges of fraud, and I walk out a convicted serial killer. Three 99-year sentences, plus life in prison. You know, best thing about prison is that it gives you time to think. And I did a lot of thinking. Mostly about what I'd do if I ever got out. Sure, at first I was angry. Fantasized about killing both of you. Then I realized, hey, where's the sport in that? You two are con artists, right? But, I still had that little voice telling me to get back at you, Flaherty, and, after a while, it came up with one hell of a way to do it. First off, I realized I had to find myself a prison guard with a few skeletons in the closet. Started off as just guesswork, but eventually it paid off.
INT PRISON CELL - DAY
Shot of Harrison in prison. He is reclining on his cot, watching as a guard passes by.
HARRISON
So, fucking the warden's wife?
The guard keeps walking. Another guard walks by.
HARRISON
So, fucking the warden's wife?
The guard keeps walking. Another guard walks by.
HARRISON
So, fucking the warden's wife?
The guard keeps walking. Another guard walks by.
HARRISON
So, fucking the warden's wife?
The guard walks by the cell. Then steps back in front of the cell door, blushing.
EXT VERANDAH
HARRISON
So, once that paid off, I talked him into looking the other way while I jimmied the lock on the door to the Records Department and slid in.
INT RECORDS ROOM
Harrison is browsing through the records, and pulls out a file. Voice over narration continues as he performs the acts narrated.
HARRISON
(VO)
Well, remember how you told me you got pulled in for vagrancy? Well, they've still got your file. Took a look at it. Nice picture. Hell, my picture looked like shit compared to your. I just threw that out. But your picture, it looked real nice. So nice, I just put it in with my file. Didn't want to break up the set, so brought along the fingerprints too.
EXT VERANDAH
HARRISON
Like I said, I'd been making friends. Gonzalo introduced me around. I met Paco, Jose, Marcial, El Chino, and, of course, Little Baby Jaime Smooth. That Jaime, he was a cut-up. Let me tell you about him sometime. So, I had friends. And my friends had friends. Friends on the outside. You should have seen the look on the guard's face when the bombs went off on the west wall. Immediate lock down, except for those of us who happened to be out on grounds duty. You know, picking up trash on the exercise cells. Next thing I knew, I was on the outside again. Put out some feelers and heard that you two were living large down on the coast and figured I should pay you two a visit.
Shot of a huge quantity of police officers pouring through the front door. Flaherty and Lila look up expectantly. Harrison continues talking, oblivious to police presence.
HARRISON
The problem is, I don't think I can dodge the cops for long. I mean, just ten minutes they got an anonymous tip that I was hiding out in this very hotel. I don't think its safe for me at all. I gotta go.
He stands and turns toward the police. Over head shot of Harrison walking towards the police officers. He walks straight through the crowd and out of the front door. Cut back to regular angle. Police continue approaching and grab Flaherty.
POLICE OFFICER
Tyler Harrison. You are under arrest.
FLAHERTY
What? Fuck no, I'm not Harrison! Do I look like Harrison? What the hell is going on here?
The officer reaches into Flaherty's back pocket and pull out his wallet. He slides out a driver's license that has Flaherty's picture, but reads: Tyler Harrison. The officer smiles.
POLICE OFFICER
Of course not. That's why you have his wallet.
FLAHERTY
What? God damn it! Look, you got the wrong guy. Hey, stop that!
They begin dragging Flaherty away.
FLAHERTY
Fuzzy little shitheads! God damn animals! Rat bastard toad suckers! Son of a bitch redneck dildos!
INT HOTEL ROOM
Lila is hurriedly moving clothing from her dresser to her suitcase.
LILA
God damn it. God damn it!
There is a knock at the door. She freezes, a bundle of clothes in her hands.
LILA
Who is it?
HARRISON
(behind door)
Police. We'd like to have a word with you.
She drops the clothes and rushes over to the door. She looks through the peephole, sees nothing. She runs over and arms herself with a lamp, then opens the door. Harrison gently moves her aside and enters. He looks around the room, then returns to the closet by the door and removes the satchel of money from its hiding place. Lila stares at him.
HARRISON
Good. You're packing. We don't have very long. I figure the cops will catch on in a couple hours, and Flaherty should be able to give them a pretty good idea....
LILA
Get out!
HARRISON
Excuse me?
LILA
Out! Get out of here. Leave me alone. That money's not getting you anywhere, Harrison. That's Flaherty's money.
HARRISON
Lila. Flaherty's in jail for a little while. He's not getting out until they put both of us in. We're taking this money and leaving.
LILA
You're here to torture me. You want to ruin my life the way I ruined yours.
HARRISON
Lila! Do you really think I would do that?
LILA
After what I did to you? Sure. Who wouldn't?
HARRISON
Well, I must say I was pretty mad for a while, but I'm all over that. You just did what you had to do. That Flaherty can be a real convincing character. He even had me going for a little while. I'm sure that he threatened you into going along with him. I know that deep down inside you still love me, Lila. Come here. Lila, I know that your love for me was real. I know you couldn't, you just couldn't have faked that. Right, Lila? Look into my eyes and tell me that you don't love me.
Lila stares at him in terror. Harrison releases her and rushes over to the suitcase and closes it.
HARRISON
Perfect. Let's get going.
He grabs Lila and kisses her.
LILA
I'm not going back to Huntsville.
HARRISON
No. You're going to El Salvador.
INT HOTEL LOBBY ELEVATORS
Harrison and Lila step off the elevator. Harrison nervously looks around the room, sees the hotel CONCIERGE talking to a WELL-DRESSED GUEST, then throws himself and Lila behind a large potted plant. She screams. He clamps his hand over her mouth, then makes a "shh" gesture with his other hand. He releases her.
LILA
What? What is it?
HARRISON
I want you to look very, very slowly over this leaf and tell me what you see.
She does what he instructs. Shot of the concierge laughing with the well-dressed guest.
LILA
Nothing. Just the concierge talking to some guy.
HARRISON
Some guy? That guy has been following me since Birmingham. He's got to be a cop. I don't know how he got on to me, but he must have figured it out. Damn it, I thought I lost him back in Foley. Honey, you're going to have to help me out or we're never going to get out of here.
LILA
What do you want me to do?
INT HOTEL LOBBY
The concierge and the well-dressed guest continue their conversation. Lila walks up to them.
CONCIERGE
No, business has been pretty steady down here. I'm simply amazed at... May I help you, ma'am?
LILA
Yes, I need to find a nice place for dinner. I was wondering if you could help me?
CONCIERGE
Why, of course. Might I suggest Claude's? It's within walking distance and right on the beach. Lovely French cuisine with just a hint of Cajun...
LILA
That would be lovely. I was wondering if I might be able to find some companionship as well.
She looks seductively at the well-dressed guest. He smiles at her and takes her arm. Lila looks over his shoulder and sees Harrison leaving the hotel.
WELL-DRESSED GUEST
I do believe I can help you out with that. I do not have any plans for the evening. Until now, that is...
He leads her off. The concierge smiles at them. Suddenly, Lila stops walking.
LILA
If you'll excuse me, I have to go visit the ladies room. Be back in a moment.
INT LADIES ROOM
Lila enters, looking flustered. She washes her hands, then splashes water on her face. She looks at herself in the mirror.
LILA
You are not going to get caught. Everything will be okay.
She smiles, then climbs out the very small window.
EXT PARKING LOT
Lila slides out of the window on to the ground. Harrison pulls up in a lemon yellow Nissan Sentra. She enters the car.
LILA
Nice car.
HARRISON
Look, do you have any idea how conspicuous it is to drive a Mercedes to El Salvador?
LILA
El Salvador.
HARRISON
Yeah, I've heard wonderful things about it. It means 'the savior' in Spanish. Sound great, huh? Besides, I've got some friends down there.
LILA
What friends?
HARRISON
Oh, Gonzalo, Marcial, Paco, El Chino, and, of course, Little Baby Jaime Smooth. The whole gang. They helped me get out. They'll be able to take care of us. All we have to do is get there.
EXT TEXAS LANDSCAPE- DAY
The yellow Nissan Sentra drives down a small rural highway, spraying up a thick cloud of dust. The sun is rising in the background.
INT CAR
Harrison is relaxing in the passenger seat. He is smoking and perusing a map. Lila is driving, and has apparently been doing so for some time, as she looks exhausted.
HARRISON
All right, honey. The border should be a couple miles up ahead. Hopefully, they haven't gotten too wise to the scam yet, but odds are good Flaherty might have squealed on me. When was the last time you were photographed?
LILA
I don't know. I...I...
HARRISON
Think, honey. It's important.
LILA
A couple years back, I think. For my driver's license.
HARRISON
Your license? Perfect. The picture doesn't look like you, does it?
LILA
Not at all.
HARRISON
Good. If they have a picture of you, odds are it's that one. There's no way they're going to recognize you, but the two of us driving through together? Dead giveaway. They'd stop us in a second. Pull over. I'm going to get into the trunk.
The car pulls over to the side of the road. Lila and Harrison get out.
HARRISON
All right, they're not going to ask for your passport, so we should be all right. Just don't speak any English.
LILA
What? Why not?
HARRISON
Because then they'd know you're an American.
LILA
But I am an American.
HARRISON
Damn it, Lila. What could be more suspicious than an American fleeing the States in a yellow Nissan Sentra? No, no, no. You're Argentinean.
LILA
But I don't know any Spanish.
HARRISON
That's ok. You only have to know a few phrases. When you drive up, all you have to say is 'hola.' It means hello.
LILA
Hola. All right, what else?
HARRISON
Then he'll ask you your citizenship. Just say, 'Soy Argentina.'
LILA
What? I can't remember all that.
HARRISON
Right. I'll write it out for you. After that, he should just wave you through. Of course, he might say, 'Siga no mas.' It means, 'continue no more.' If he says that, it means the car is about to be searched, and we need to get the hell out of there. Just floor it, and we should be able to give them the slip.
LILA
What if he says something I don't understand?
HARRISON
Just wink at him. You're an attractive lady. You should be able to get away with it.
Shot of Harrison writing down "anything else = WINK" He underlines "WINK", places the paper on the dashboard, then begins to climb into the trunk.
HARRISON
Don't let me out until we're a couple miles past the border. And darling, just this one last thing. If they nab you, don't tell them I'm in the trunk. I'd rather starve to death in the back of a Nissan than spend the rest of my life in a Mexican prison. (BEAT) You'll do just fine.
Lila nods and closes the trunk on Harrison.
EXT BORDER
The yellow Nissan Sentra is second at line at one of the checkpoints. A border guard finishes his conversation with the car ahead.
BORDER GUARD
Siga no mas.
(subtitled)
Go on.
Lila pulls up. The entire conversation is in Spanish, with subtitles.
BORDER GUARD
Hello.
LILA
Hello.
BORDER GUARD
What is your citizenship?
LILA
I'm Argentinean.
BORDER GUARD
Ah, I have an aunt in Argentina. She has lived in Córdoba for the past sixty-two years. She only has one eye.
The guard smiles at Lila who stares at him uncomprehendingly. She panics and looks at the piece of paper Harrison has written. She sees "WINK" underlined. She turns to the guard and winks suggestively. He looks at her strangely, then waves his clipboard.
BORDER GUARD
Go on.
Lila looks over at the paper and reads the phrase, "siga no mas = trouble." CU of guard's mouth in slow motion, speaking in Spanish without subtitles.
BORDER GUARD
Siga no mas.
Lila hits the gas, and the car fishtails out of the gate. The guard laughs at her.
BORDER GUARD
Argentineans...
INT CAR
Inside the car as Lila makes frantic getaway. Cut back to trunk where Harrison is being roughed up as he bangs against the sides. From the view inside the car, we see Harrison pop onto the backseat as the rear seat pops forward, exposing the trunk. Lila, swearing to herself, does not notice. Harrison sports a thoughtful expression and then locks himself back into the trunk. Lila finally pulls over.
EXT STREET - DAY
Lila and Harrison are seated on the curb.
LILA
Do you see them anywhere? I don't see them following us, but you never know... I mean, the way he said "Siga no mas" made me think that he was ready for the cavity search right there!
HARRISON
That's right, Darling, you never know. Makes me think of something that Gonzalo once said to me ...
Harrison grabs Lila's head and forces it down.
HARRISON
Jesus, duck!
A man in bicycling by on the street with his entire family riding on the frame. Harrison kindly waves at them, a greeting that is kindly returned by the whole family, including the two kids. Harrison waits a minute before bringing Lila's head back up.
HARRISON
I'm sorry about that, honey. I didn't want to tell you about this earlier. I was scared you'd be nervous enough with just the cops chasing us, but I have reason to believe the Mexican Mafia is after me.
LILA
The Mexican Mafia?
HARRISON
Well, not the whole Mafia, just their top hit man. Fellow calls himself El Tigre, the tiger. Probably the best tracker south of the border. Amazing network of spies down here. Been known to use spies as young as six years old. You remember reading about that assassination a couple years back?
Lila looks around nervously at the massive quantity of six year old shoeshine boys that are milling around them.
HARRISON
Lila? The assassination? You heard about it, right?
LILA
Yeah.
HARRISON
El Tigre. I think he's after me.
LILA
You're kidding. Why would the Mexican Mafia send a hit man after you?
HARRISON
I told you about my friends Gonzalo, Paco, El Chino, Marcial, and Little Baby Jaime Smooth, right?
LILA
Yeah?
HARRISON
See, they're all tied in with the Morazon cartel. You've heard of them?
LILA
No.
HARRISON
They've been trying to muscle in on the Mexicans' cocaine smuggling. I told you about the fight in prison, right?
LILA
No.
HARRISON
Oh. Well, Gonzalo got into trouble with some of the Mexicans in the jail. Little gang led by this fellow named Rodriguez. I owed Gonzalo a thing or two, so drove a chunk of metal through Rodriguez's back.
LILA
You killed him?
HARRISON
I had to, honey. Things work that way inside. But it did get me in real tight with Gonzalo and his friends, but it turns out that Rodriguez's father is one of the heads of operation down here. Little Baby Jaime Smooth told me to watch out for...
LILA
Why the hell am I still with you? Look, why don't you just give me half the money...
HARRISON
Why are you with me? Because you're my wife, Lila. I just can't stand to lose you again. Look, I just know I can get us to El Salvador. Just do what I tell you and everything is going to be okay. Let's get going.
They get up to leave. A shoeshine boy makes his move and approaches them. Lila freaks out and brushes him away. The boy looks sad.
INT CAR - DAY
Harrison is once again slumped in the passenger seat, relaxing.
HARRISON
You know, while I was in prison, I had a lot of spare time. You'd be amazed at the libraries they have in prisons nowadays. Not much variety, granted. Lot of books on law, so I did some reading. Did you know that current extradition treaties permit...no, require the use of force on the part of local gendarmes to return fleeing suspects to their home country for trial?. Pretty amazing, really, when you consider the potential threat to domestic hegemony...
LILA
Stop.
HARRISON
Sorry. Just trying to lighten up the drive with a little conversation. See, the fascinating thing about extradition law is its capacity for local interpretation. Now take France. Well, maybe not France. Take Canada. Its buttocks are so tight that they report Americans with speeding tickets back to the States. But in El Salvador, it's a world of difference. See, El Salvador, they've been screwed over by the States so long that they're thrilled to harbor some of its petty enemies. They'd probably even award us visas to go back and spit on the capital. Or so Little Baby Jaime Smooth tells me.
LILA
Little Baby Jaime Smooth?
HARRISON
Right. I already told you about him back there. Weren't you paying attention? Short Salvadorian. Amazing guy. After I got this tattoo...
Harrison rolls up his sleeve to show a massive "Viva La Raza" tattoo complete with a rose-laden flaming skull.
HARRISON
...we were inseparable. So what Jaime was saying was that we just need to get into El Salvador. Once we're there we just have to hook up with his friends, and (SNAPS FINGERS) we've disappeared! Great, Huh?
LILA
Great.
HARRISON
Look, do you want me to drive for a while?
LILA
God, yes!
HARRISON
You should have asked sooner. Hey, there's a restaurant up ahead. You want to stop and get something? We haven't eaten since... Well, hell, I guess we haven't stopped for food yet.
He turns and smiles at her. She glares back at him, looking very hungry.
INT RESTAURANT - DAY
Lila and Harrison are seated at a booth. A waiter approaches. He and Harrison speak in Spanish.
HARRISON
Good evening, sir. How are you doing?
WAITER
Are you going to talk or are you going to eat?
Harrison hands the waiter 100 dollars.
HARRISON
Now, I want to talk for a minute. You see, my wife, here, she eats very quickly. I eat very slowly. Are you listening? This is important. If you bring our food at the same time, she will finish eating before I have even picked up my fork. So, I would like you to bring my food about ten minutes before you bring hers, okay?
WAITER
It is not a problem.
HARRISON
Good. Now, I would like some cow stomach and fried blood.
He turns to Lila. They speak in English.
HARRISON
What would you like, honey?
LILA
I don't know. Just an enchilada, a burrito.
HARRISON
(Spanish)
Make that two cow stomachs and blood. Smile at her. Thank you.
The waiter leaves.
Cut to later scene, as Harrison is being served a massive quantity of food.
LILA
Wait. What is that? Which of it is mine?
HARRISON
This? This is estomago y sangre fritado. It's one of my favorites. I ordered the special platter for you. I guess it isn't out yet. Don't suppose you mind if I get started. I'm damn hungry.
Lila stares at him, as he begins to tuck into his food. She watches in disgust and envy as he shoves food down his throat.
LILA
Harrison, why are you doing this?
HARRISON
Because I'm hungry.
LILA
No, I mean why have you helped me escape when you threw Flaherty in prison? Why didn't you do the same to me?
HARRISON
We said our vows, Lila. That's just not something you can walk away from. Every night that I lay there in my cell, every night I stared at the ceiling thinking about how I wanted to hurt Flaherty. How I wanted to humiliate him like he had humiliated me. The president of the PTA? You can understand how I felt. And then I would think about you, honey. What horrible things he must have done to you to make you go along with him.
LILA
They were horrible, Harrison.
HARRISON
He said he would hurt you, didn't he?
Lila stares speechless at Harrison as he soaks up residual bits of food with a tortilla. Lila has still not been served. She looks very, very hungry. She looks around for the waiter.
HARRISON
Still not here? Strange. Maybe I should have a word with the waiter. Wait. Here it comes.
Lila turns around and sees the waiter approaching with a huge tray of food. She starts drooling. The waiter approaches slowly, and, moments before he arrives, Harrison grabs her wrist and yanks her to her feet.
HARRISON
Shit! They found us!
LILA
What? Who?
HARRISON
No time for questions. We've got to get out of here!
He throws down a bundle of bills on the table and the two run out to the car. Harrison throws her into the passenger seat and drives out. Lila looks back at the window of the restaurant, her food clearly visible, and stares vacantly.
INT CAR -
Harrison and Lila are still in the car. Harrison is driving. Lila is trying to sleep, but every time she does, Harrison shakes her, which causes her to become very tense and jumpy.
LILA
What is it?
HARRISON
I've been thinking. That must have been one of El Tigre's men. The waiter must have tipped him off. I should have known by the way he treated me.
LILA
Are we safe now?
HARRISON
Yes. The coast is clear. I'm really sorry about that, Lila. We'll get you food later on. I'm only doing this because I love you, honey.
LILA
All right, Harrison. Whatever you say, Harrison.
EXT BAR - NIGHT
Lila and Harrison are walking towards a bar.
LILA
This doesn't look like a very safe place.
HARRISON
Don't worry about it. We'll be fine.
They walk past a van, the sides of which have been airbrushed with a scenic Mexican landscape. In the clouds over the plane is an angelic image of Debbie Gibson's face.
LILA
Is that Debbie Gibson?
HARRISON
Sure looks like it. Come on, let's go get a drink.
INT BAR - NIGHT
Lila and Harrison are seated at the bar watching a Banda group perform on stage. Harrison is drinking a cup of coffee while Lila sips at a glass of water.
LILA
Why aren't we driving?
HARRISON
I told you, honey. Police usually crack down on drivers once it gets dark. We head out there in a car with foreign plates, we'll be pulled over in seconds. Besides driving is exactly what El Tigre is expecting us to do. We lay low for a while, it should throw him off the track entirely. And you were looking kind of tired. Figured you could use the rest.
LILA
Couldn't we go someplace, you know, quieter? It's loud. I've got a headache. What's wrong with that place up the road?
HARRISON
What? And miss this band? These guys are fantastic. Besides, I think we can use them.
LILA
What do you mean?
HARRISON
There is nothing more suspicious than a couple gringos with a lot of money driving around Mexico. If we want to stop anywhere, we're going to need a cover story.
LILA
Like what?
HARRISON
Trust me.
INT BAR
Harrison and Lila are now seated at the bar with JORGE, the singer for the band. He and Harrison are chatting in Spanish. Lila is attempting to fall asleep on the bar.
JORGE
How did we sound?
HARRISON
You're even better than I had heard.
JORGE
You've heard of us?
HARRISON
Sure. Who hasn't heard of...
He looks over frantically at the tuba, upon which is written "Los Chicletos"
HARRISON
Los Chicletos? I came all the way down from LA to see you guys.
JORGE
LA? Los Angeles?
HARRISON
Yup. See, we work for WEA.
JORGE
What?
HARRISON
Warner Entertainment Alliance. The music company.
JORGE
Really?
HARRISON
Sure! We're down here scouting out new acts to use as studio musicians on Debbie Gibson's next album. She's getting back to her roots.
JORGE
Debbie Gibson! I love Debbie Gibson.
Jorge begins singing "Electric Youth."
JORGE
Debbie's the only white singer with a voice!
HARRISON
Yeah, but she's not white.
JORGE
She's not?
HARRISON
She's Latina. Her real name is Juanita Consuelo Elena Concepcion Jimenez. You ever hear her first album?
JORGE
The one with "Out of the Blue" on it?
HARRISON
No. Before that. "Cuero Blanco, Alma Morena." A classic. See, the studios have buried that one. Didn't think they could sell that to the suburbs. Didn't want to scare all those white kids! You've seen white kids, right?
Jorge nods sagely.
JORGE
But you said its a good album.
HARRISON
Come on, Jorge. We both know what's really important in this business!
They simultaneously rub their fingers together. They laugh.
HARRISON
Yup, the studios are betting that a Latin album from Debbie will go through the roof. Selena was so successful, they think this should put Debbie back on top. Just listen to this.
Harrison begins to sing in Spanish.
HARRISON
Acostumbrado a negar el pasado,
Aunque me pena el corazon,
Ahora, miro al teimpo perfecto,
Para decir "Chupame, Cristobal Colon!"
HARRISON
It's beautiful, isn't it?
JORGE
And so true.
HARRISON
But, she needs some authentic backup band for the recording sessions. Who knows, maybe even for the tour.
JORGE
The tour?
HARRISON
Yeah, the Shake Your Roots tour. Worldwide. Man, I'd love to be a part of that. Great hotels. Instant fame. It'd be wonderful. (pause) Well, we'd better be going. Let me give you my card, and you can send me a tape.
JORGE
Why does your card say "Sewage Maintenance?"
HARRISON
Let me put it this way. If you were working for the biggest record label in the world, would you want everyone you meet to know who you are?
Jorge nods and smiles.
HARRISON
Well, I guess we're off. Good meeting you, Jorge. We've got to get back out on the road. Big meeting tomorrow.
JORGE
Don't be silly. Where are you staying?
HARRISON
In that hotel down the road.
JORGE
You're staying with my mother?
HARRISON
Short woman? Black hair? Smiles a lot?
JORGE
You are staying with her! Listen, she's crazy. Come stay at our place. My brothers and I are going to do a late session tonight after the show here. You'll really get a feel for the sound.
HARRISON
No. I couldn't do that.
JORGE
Sure you could. Then you can have another chance to listen to us.
HARRISON
Oh, all right. You talked me into it.
JORGE
Great. Let me go round up the boys, and we'll head over.
Harrison smiles after him, then nudges Lila.
LILA
What? What's going on?
HARRISON
We're staying with the band tonight.
LILA
What? With...them?
HARRISON
Of course!
LILA
Why don't we just sleep in the gutter?
HARRISON
You don't have fun a lot, do you Lila?
LILA
No, Harrison, I don't have fun a lot. I spend half my time running from El fucking Tigre and the other half trying to figure out what the fuck you're talking about. Are you going to tell me that you're enjoying this?
Harrison smiles at her. Jorge arrives with the rest of the band, all seventeen of them. He addresses Lila and Harrison in poor English.
JORGE
These are my brothers, Ramon, Garcia, Fredrico, Phillipe, Pablo...
EXT HOUSE- NIGHT
Establishing shot of the house, a hacienda on the edge of town.
INT BEDROOM - NIGHT
Lila is lying on a straw mattress, trying to sleep. The sound of the band practicing is very, very audible. Lila looks angered by the noise. Harrison is lying next to her, then gets up.
LILA
Where are you going?
HARRISON
Just asking them to get us up early tomorrow. We've still got a lot of driving ahead of us.
LILA
Could you ask them to quiet down a bit too?
HARRISON
Lila, honey, this is their house. You don't understand these musicians. We start ordering them around, they might get mad. Heck, they might even try to kill us.
LILA
Oh. Why is all this necessary? Can't we just leave now? Why do we have to shack up with a fucking salsa band?
HARRISON
It's a Banda group, honey. There's a world of difference. No tuba in Salsa.
Harrison leaves.
INT PRACTICE ROOM - NIGHT
Harrison walks over to Ramon and hands him a wad of bills.
HARRISON
Ramon, right?
RAMON
Yes.
HARRISON
Is that gun in your belt loaded?
RAMON
In this town, a man who wears an unloaded gun is either a fool or a hero.
HARRISON
Words to live by. Look, I need you to do me a favor. My wife and I are pretty heavy sleepers and we really need to get going soon. After you guys are finished practicing, could you just go outside our window and start firing?
RAMON
I have an alarm clock, I'm sure that would be enough.
HARRISON
No, we've got a nine o clock meeting with both Debbie and...
RAMON
Juanita Consuelo Elena Concepcion Jimenez?
HARRISON
One and the same.
RAMON
I'll be there, brother. Sleep well.
INT BEDROOM - NIGHT
Lila and Harrison are lying in bed. She closes her eyes, but, due to the volume of the band, cannot get to sleep. She tries repeatedly, then screams. Harrison wakes up and rolls over.
HARRISON
Something the matter, honey?
LILA
Harrison.
HARRISON
That's what they call me.
LILA
I'm lost, Harrison. I don't understand anything here. I don't understand what people are saying. I don't understand what to do. And yet, you just blow down here, smooth talk everyone, and eat fried stomach.
HARRISON
Fried blood, honey.
LILA
Whatever! What the fuck am I doing here? Why didn't I just stay in the States? How am I ever going to fit in? I can't hide out forever! Can't I just leave now?
HARRISON
Who are you, Lila? What is your name? What is your identity? It's whatever you want it to be. This is your life. You can't speak Spanish, no problem. Maybe you're my mute girlfriend. Maybe you just don't like to talk. It's up to you. I learned this stuff from Flaherty. That land deal. I almost shit my pants. You have to be able to be anything. To adapt. If a scam calls for you to be a toothless bum proselytizing on the street, then Hallelujah and pass me a bible. You and Harrison, you've worked together a while. Who do you play in the scams?
LILA
The other woman. A vamp, I guess. I like it. It's me.
HARRISON
That's the problem. To be a confidence artist, you gotta have confidence. You've got like what you don't! If you can have confidence being someone you hate, then nothing can shake you. Ever. That's how I got through prison. I was so many people that I enjoyed every single second. Everything. Okay. I'm going to sleep.
LILA
Just like that? Isn't the music going to keep you up?
HARRISON
Nah. I picked up some meditation in prison. I can conk off at the drop of a hat.
LILA
That's a good trick.
HARRISON
Better trick is learning to do it while the guards are raping you.
Harrison rolls back over and goes back to sleep. Lila lies, staring at the camera. The music suddenly stops.
LILA
Oh, thank God!
Suddenly gunshots ring out. Harrison leaps up and runs to the window.
EXT STREET - NIGHT
Ramon is in the center of the street, firing his pistol into the air and shouting in Spanish.
RAMON
Don't be worried. Some crazy gringo just wants me to wake him up. Nothing to worry about. Go back to sleep.
INT BEDROOM - NIGHT
Harrison grabs Lila by the wrist and drags her out of the house to the car. Her suitcase is left in the room.
LILA
Who is it? The police?
HARRISON
Worse.
LILA
Worse? Who the hell is it?
HARRISON
Quiet. We're going to have to sprint for the car.
LILA
Are you kidding? They're shooting at us!
HARRISON
I know, honey, but we don't have any other choice. These people won't take us alive. Damn it, I shouldn't have gotten you into this.
LILA
It's all right, Harrison. It's our only way out. El Salvador, remember?
HARRISON
Yeah. El Salvador. Now remember, don't run in a straight line.
LILA
Why not? Won't that get us there faster?
HARRISON
Sure, but it makes you an easier target. Zig-zag's the way to go. Come on. Count of three.
LILA
Okay.
HARRISON
I love you, honey. One. Two. Three.
The run out to the car, dodging non-existent bullets. Harrison slides into the driver's seat, then floors it before Lila can even close her door. They pull off into the night.
INT CAR - EARLY DAWN
Lila is still looking a little shook up. Harrison is driving.
HARRISON
That was a little too close. I'm sorry I dragged you into this, honey.
LILA
Who was that shooting at us? It looked like one of the guys from the band.
HARRISON
What? Hell, no. That was El Tigre, himself. Damn it! I thought we had lost him. Did you get a good look at him?
LILA
I think so.
HARRISON
Well, keep an eye out for him.
LILA
He'll kill us, won't he?
HARRISON
Sure enough. We're going to have to try to give him the slip. I just don't know how we're going to do it.
LILA
We could get a new car. You could just steal...
HARRISON
Steal? You think the police are after us now, you should see what happens if we start stealing cars in this country.
LILA
We could buy one.
HARRISON
Jesus, darling! What could be more conspicuous than two gringos buying a car in Mexico with American dollars? No, we're going to need some Mexican currency.
LILA
Fine. You're right, Harrison. You're always right. But why don't we just change our dollars for some pesos? What's wrong with that?!
HARRISON
Jesus, darling! That's about the only thing that could be more conspicuous than flashing dollars! Two gringos changing a couple hundred dollars? You don't think that will get noticed?
Harrison looks intrigued as a bus passes by. He pulls the car over to the side of the road.
LILA
What? What are we doing?
HARRISON
I think I've got it.
INT MEXICAN BUS - DAY
The two are seated on a bus, complete with screaming children and livestock. Lila is, once again, notably disturbed. A girl, about 8 years old, comes around to all the passengers and places a piece of candy on their laps.
LILA
What is this? Why is she giving this to me?
HARRISON
She's selling candy. You like it, you give her some money when she comes around again. You don't, she takes it back.
LILA
Why all the trouble? Why can't I just go to her and buy the candy? It all just seems kind of...inconvenient.
HARRISON
Does it inconvenience you to see other people's reality? That's what I love about Mexico. It has absolutely no illusions.
The girl comes around, picking up candy from the passengers.
HARRISON
And neither do the people who live here.
The girl picks up the candy from Lila, who does not pay, and Harrison, who does, and promptly throws the candy out the window.
HARRISON
Lila, if you want to work with people who aren't like you, you're going to have to learn to understand their way of life.
At the next stop, an old man gets on the bus. He begins to sing and shake a cup of coins. He sings the first stanza of "El Rey" and passes through the bus, collecting donations. After making the circuit, he gets off and Lila watches as he gets on the next bus going the opposite direction, presumably to do the same thing.
HARRISON
Some of these people are hucksters. Some aren't. Doesn't really matter to these people. They're just glad they're not the ones up there.
A woman gets on the bus, produces a piece of paper and begins to speak in a whining, grating voice that tails off at the end of every sentence.
WOMAN
(Spanish)
Hello, my name is Soledad Roman. I have no family. I suffer from muscular and nerve attacks. This is the letter from my doctor. I cannot afford my medicine. This is the letter from my doctor. If I do not buy more medicine, I will suffer from more attacks. I suffer from attacks.
Lila turns from woman when she passes by. Harrison smiles at her, and drops a coin in her cup.
HARRISON
(Spanish)
God bless you.
WOMAN
(Spanish)
God will repay you.
HARRISON
Could you ever see this happening in Detroit? It's incredible how ...
LILA
That's wonderful, Harrison. Really fucking beautiful. The human condition, all that. Now, what's your plan?
Harrison smiles at another candy girl as he turns to Lila and points.
LILA
No. No. No.
EXT MAIN CITY PARK - DAY
Harrison is out strolling around on the beautiful day. He is approached by a shoeshine boy.
HARRISON
Hello, there, little boy. I need to get some pesos. Do you know where I could go?
SHOESHINE BOY
Uhh.. No espeaka the englitch.
Harrison, acting very solicitous and ignorant, pulls out five dollars from his wallet.
HARRISON
Dollars!
Harrison points at boy's pesos.
HARRISON
Pesos! I want!
Boy looks confused for a moment, then speaks.
BOY
Oh! Okay! Moment!
Boy grabs Harrison's hand and leads him away.
INT BUS
Lila is in a bus, looking dejected, walking down the aisle and holding a piece of paper, from which she is reading. Her pronunciation is horrible.
LILA
(Spanish)
My name is Lila. My parents have left me. They never loved me. I have no family.
She begins to shake a cup around.
EXT STREET
Harrison is being led around by the young boy. Soon, a MONEYCHANGER doing business out of a briefcase comes into view. The boy leads Harrison to this man.
BOY
(Spanish)
Edgardo, this man speaks no Spanish. I think he needs to change some pesos. You should be able to get a lot from him. He doesn't speak any Spanish.
MONEY CHANGER
The boy tells me that you need to exchange some dollars for pesos. I will give you a very good rate, better than you will get in the bank.
HARRISON
Really? What is the rate at the bank?
MONEY CHANGER
(Spanish)
Thanks, kid. I'll see that you get your cut.
INT BUS
Lila continues her desperate pleading on the bus.
LILA
(Spanish)
My child is sick. She has no legs. Or arms. My parents thought she was ugly, so they threw me out of the house. I now live in the street. With the rats. And I have recently found Jesus.
Owing to the last comment, more people fumble for change.
EXT STREET
Flaherty is still talking with the money changer.
MONEY CHANGER
It is a good thing you came here sir. I will give you a very good exchange rate.
HARRISON
How much is it?
A sign hanging in the bank behind the money changer reads "Only six pesos for a dollar!"
MONEYCHANGER
I'll be reasonable. Three pesos for a dollar.
HARRISON
That seems fair.
MONEY CHANGER
How much will you need? Fifty dollars? One hundred dollars?
HARRISON
No ... About three thousand, I think. Will that be a problem?
INT BUS
Lila continues on bus.
LILA
(Spanish)
But Jesus could not save me from my horrible accident. I had severe brain damage. That is why I can no longer speak Spanish. My parents have left me. They say that I am stupid. Please help me. My child has no nose.
EXT STREET
Money Changer looks nervously around.
MONEY CHANGER
No, no, no. That won't be a problem at all. Why don't we step behind this tree here?
HARRISON
Sure! Do you know how lucky I was to find you? I couldn't find anywhere to get some pesos, and then I ran into that boy! I was almost willing to just start handing out twenties on the street for a few coins!
MONEY CHANGER
Ah yes. Very funny. Now, where's the money?
HARRISON
The money! Of course.
Harrison pulls a fat wad of bills out of his back pocket.
HARRISON
Let's see, twenty, forty, sixty ... Jesus, we'll be here all day if I do this in small bills. Hang on. One hundred, two hundred ... Okay, how many pesos do I get for a thousand dollars?
Money Changer eagerly accepts the bills.
MONEY CHANGER
Let's see ...
INT BUS
LILA
And now the police say that they will take my baby away. They say that I am not a good mother. You must help me.
EXT STREET CORNER
Harrison is holding the stack of pesos given to him by the moneychanger.
HARRISON
You know, I'm going to need a stack of twenties. For tips, you see. Why don't you give me fifteen hundred in twenties? Thanks. Great town you've got here. I finally talked the wife into paying a visit.
INT BUS
Lila collecting still more money and smiling pathetically.
LILA
Thank you. Thank you.
EXT STREET CORNER
Harrison proceeding to fast-talk the moneychanger.
HARRISON
Heck, this is just silly. Why not just take that stack of twenties and those hundreds and just give me back the thirty hundreds I started with.
Harrison reaches into his pocket and pretends to find the fifteen hundred pesos he has just scammed.
HARRISON
You know, I forgot all about this pocket. Do you think I could change this in twenties?
Fast montage of Lila looking pathetic, Harrison talking quickly in Spanish without subtitles, and lots of money changing hands.
Lila steps off the bus, and is greeting by Harrison, who is stuffing an obscene amount of cash into his pockets. Lila is clutching a stack of pesos in her hands. The moneychanger stands in the background looking dazed. He looks into his briefcase and finds that it is mostly empty.
LILA
I..I think I got enough for a car.
HARRISON
That? No, that's nearly worthless.
He takes the bundle of cash from Lila and tosses it to a homeless beggar woman, who grabs it and stares at them disbelievingly. She counts the money energetically and laughs.
HARRISON
It might be enough for a couple cups of coffee, but that's it. We'll just have to keep on driving.
LILA
What about El Tigre?
HARRISON
If we keep moving fast enough, we should be able to make it to Guatemala. El Tigre won't want to piss off the Guatemalan mob. As long as we stay in public places, he probably won't open fire.
LILA
So we'll be safe once we get to Guatemala?
HARRISON
No. See, the Mexican Mob's real tight with the police down there. Whole crime syndicate struggle thing, see?
LILA
Oh.
INT CAR - DAY
Harrison is reclining in the passenger seat, staring ahead through his binoculars. Harrison begins to speak without removing the binoculars.
HARRISON
I don't want to go to prison, Lila.
LILA
Neither do I.
HARRISON
I've heard stories about what they do to you down here. You remember Little Baby Jaime Smooth? He spent some time in a Mexican jail. You wouldn't believe what they put him through. Cattle prods are a way of life for these people. You familiar with bouncy-bouncy?
LILA
What?
HARRISON
Bouncy-bouncy. Torture method devised by the Chinese. Most people go mad after a few hours of it. First, they ...
LILA
Wait. Why would they torture us? Why wouldn't they just send us home?
HARRISON
You just don't understand these people, Lila. They like to see pain. They like to hurt people.
LILA
Are we going to make it?
HARRISON
You trust me, don't you, honey?
LILA
Yes. Yes, I do.
HARRISON
Good. Because thing are going to be getting tricky soon.
LILA
What? Why?
HARRISON
We're coming up on the Guatemalan border.
LILA
What does that mean?
HARRISON
Well, there are two possibilities, so it really depends.
LILA
On what?
HARRISON
On who controls the border today. See, Guatemala's been in a civil war for the past seven years. So, if the Nationals are controlling this border stop, we're home free. Might cost us a bit, but they'll let us through. The Communists? They're the real bastards. Them sons-of-bitches love rules. Won't let anyone in or out.
LILA
So what do we do?
HARRISON
We ought to be able to see as soon as we get over this hill. If it's Communists, you get off the road. The forest isn't too thick here. You shouldn't have any problems.
LILA
Are you kidding? You want me to drive through the fucking forest? You want me to drive through the fucking forest?
HARRISON
(calmly)
We don't have any choice. We're only a step of El Tigre and two steps ahead of the Mexican police. We slow down for a minute, and we're looking at prison or death. We don't have time to wait. So, you are going to drive through the forest if necessary, okay?
LILA
Okay.
They go over the hill. Harrison is leaning forward in his seat, peering through the binoculars. He puts down the binoculars. Lila turns and looks at him.
HARRISON
Communists.
Lila turns the wheel hard to the right, pulling the car off the road.
HARRISON
You're doing fine. Just don't hit the trees.
LILA
Why are you doing this to me?
HARRISON
I'm just trying to keep us safe.
LILA
I understand.
HARRISON
Damn it!
LILA
What? What now??
HARRISON
Guerrillas!
LILA
Guerrillas?
HARRISON
Damn Communists! Get down. Get down!
Harrison pushes Lila down, as she tries to sit up enough to see.
LILA
How the hell can I drive if I can't sit up?
HARRISON
Do you want to be shot? Get down!
Lila allows Harrison to push her down. Periodically, he jerks at the wheel. Suddenly, Harrison speaks.
HARRISON
All right. I think we're safe now.
LILA
Which...which way is the road?
HARRISON
West, I think. Just follow the sun.
EXT PARKING LOT - DAY
The two are standing outside a seedy-looking general store. Title card: San Guinfeurto, Guatemala.
LILA
Shouldn't we keep driving?
HARRISON
Look, if we drive all night we could make it to El Salvador before sunrise, but we could never drive all night.
LILA
Why not?
HARRISON
I've got five reasons why not. (counting on fingers) The FBI. The Guatemalan Communists. The Guatemalen Nationals. The Mexican Nationals. And E-L fucking Tigre.
LILA
Am I going to die now?
HARRISON
Don't be silly. We're getting us some disguises. Should buy us the maneuvering room we need.
INT GENERAL STORE
Lila has gathered an armful of new clothes, hats, sunglasses, etc. She goes over to Harrison who is examining electric hair clippers, which he drops onto Lila's pile of stuff.
HARRISON
Got everything?
LILA
I think so.
HARRISON
Hats? Glasses? Binoculars?
LILA
Everything.
HARRISON
Good.
He reaches to his back pocket. His face drops.
LILA
What is it?
HARRISON
No Mexican currency, remember?
LILA
What are we going to do?
HARRISON
Let me think.
LILA
I could just run out of here.
HARRISON
No. They'd have the cops on us in a second. We'd never make it out of town. No, I think I have it.
Harrison grabs a pad of paper and writes out a script for Lila.
LILA
What are you writing?
HARRISON
That's not important. What is important is that you believe every word of it!
LILA
How the hell do I believe it if I don't know what it says?
HARRISON
Look. Just be frantic. Be concerned. You'll do fine.
He slaps her on the shoulders, smiles, then ducks behind a display. Lila looks at the paper and moves toward the counter. As usual, her Spanish is awful.
LILA
Mister. I need your help. There is a bleeding man out in the parking lot. Come look.
MERCHANT
That's horrible. Does he need a doctor, do you think?
Lila looks at him, completely confused. She looks at the paper.
MERCHANT
Well, I had better call an ambulance anyway.
He moves over to the phone. Lila, thinking he is calling the police, tries to dive across the counter. She starts talking in English.
LILA
No. Please. Don't call the police. I can't go to prison. No cattle prods. No bouncy bouncy.
She grabs the Merchant by his lapels and screams.
LILA
No Bouncy Bouncy!!!
MERCHANT
I'm sure your friend will be fine.
LILA
It's not my fault. It's Flaherty's fault. It's Harrison's fault. They'll beat me. Don't let them beat me Please.
While Lila is clawing at the merchant, Harrison walks out of the store with the bag of supplies.
MERCHANT
You have nothing to worry about. Everything will be all right.
LILA
Don't call them. I'm almost done. No more El Tigre. No more extradition. No more running. I just want to go back to Ohio. Please. Don't call.
Lila stares at him. He stares at Lila. Harrison honks the horn. Lila looks around, surprised, then runs out of the store. The merchant follows.
MERCHANT
Where is he? Where is the bleeding man?
INT CAR - DAY
Once again, Lila and Harrison are in the car. Lila is driving. She is looking very bad (bag under eyes, frazzled nerves, underweight, shaking, etc.) However, both are now wearing new outfits, and Harrison has dyed his hair.
LILA
How much further is it?
HARRISON
To El Salvador? About an hour.
LILA
We'll be safe once we get there, right?
HARRISON
Don't worry about it. My friends can take care of us.
LILA
Harrison, what's going to happen to us?
HARRISON
Don't know, really. I don't really see you settling down. Raising a family. You don't really strike me as that kind of woman. But, that's all I really want, Lila. Just a nice quiet life.
LILA
In El Salvador?
HARRISON
El Salvador. Alabama. Doesn't really matter. Lila, do you have any idea what my life was like before you and Flaherty showed up?
LILA
No idea.
HARRISON
It was horrible. I didn't go anywhere. I didn't do anything. I just didn't enjoy my self. Every day, I'd get up and want to just go right back to bed. I hated Alabama. I just wanted to leave. To get out. To start a new life. I always thought that that would be enough for me. But it wasn't Alabama, Lila. It was me. I was a boring person. Do you realize I spent seven years working at the Piggly Wiggly. It was my first job, and if you two hadn't shown up, it would have been my last.
LILA
What are you talking about?
HARRISON
I'm talking about life, Lila. You either spend it thinking about how things could be different, or you take the steps to make them different.
LILA
Why does everything have to be different? I like my life. My name is Lila Greene. I'm from Cincinnati. Ohio. This isn't Ohio, Harrison.
HARRISON
Of course it's not, and that's what makes it great.
LILA
For you. But I'm not so sure I wanted to leave that life behind. I trusted you to get me away from the police. And you did. And I'm grateful, Harrison, really I am. But I don't know what the fuck I'm going to do now. I'm not going to be alone.
HARRISON
Lila, darling, we're almost there. Once we get across this border, everything's going to be fine. It'll just be you, me, and Little Baby Jaime Smooth.
EXT SIDE OF ROAD - DAY
Lila is sitting in the driver's seat of the car. Harrison is standing on the roof, looking through the binoculars. He gets down off the car. Title card: El Salvador.
LILA
What does it look like?
HARRISON
Some sort of roadblock. It looks like they're checking cars.
LILA
Should we try to bribe our way through?
HARRISON
No. It might get my friends in trouble.
LILA
Drive through the woods?
HARRISON
Can't. Undergrowth is too thick.
LILA
What are we going to do?
HARRISON
Same as the Mexican border. I'll get in the trunk. You just pull through.
LILA
Do I have to speak Spanish again?
HARRISON
No. No, we'd probably better not try that again. But they probably have a good picture of you by now.
LILA
What do I do?
Harrison pauses and looks at her.
HARRISON
Lila, how are you feeling?
Lila slowly nods.
LILA
All right.
HARRISON
This is going to be pretty drastic, Lila. Are you sure that you want to go through with this?
LILA
Do we have any options?
HARRISON
We could die.
LILA
What do you want me to do?
HARRISON
We need to shave your head.
Silence for ten seconds.
LILA
Yes. We need to shave my head. Of course.
Cut to later shot of Harrison shaving off the last of Lila's hair. She appears to have merely a fingernail grip on reality at this point.
HARRISON
All right. I'm getting into the trunk. Just stay calm and tell them you are a religious pilgrim. They'll let you through.
She nods. Harrison climbs in the back, holding the bag of money.
LILA
Why are you taking the money?
HARRISON
We don't want them to find it if they search the car.
LILA
Oh.
EXT ROAD - DAY
Lila passes through a military roadblock. A SOLDIER stops her car and comes over to talk to her in Spanish.
SOLDIER
Hello...
LILA
I'm sorry, I don't speak Spanish.
SOLDIER
(in English)
Oh. Why are you in El Salvador?
LILA
I'm a religious pilgrim.
SOLDIER
Oh. Please pull up ahead so that we can search your car.
Lila's face sinks, and her hands begin trembling noticeably. She puts the car in gear, but before she can roll into the designated spot, one of the other soldiers starts shouting.
OTHER SOLDIER
Hey! Over here! I got one.
The soldier leaves Lila's car. She pulls off and travels down the road for a ways, shaking and looking very, very nervous. She pulls over to the side of the road, shuts off the engine, and gets out. She goes around to the back of the car and spends some time fumbling with the keys. She finally gets the trunk open, but sees no Harrison. She bends down and looks into the car through the folded-down back seat. Harrison, in the driver's seat, waves at her, then drives off.
Lila stares after the car for a while, then stumbles over to the curb. She sits and begins to cry. A small Salvadoran CHILD comes up to her and stares at her for a long time. She stares back, tears in her eyes. He reaches out and places his hand on her head, rubbing the palm of his hand over her bald scalp. She cries.
INT BAR - DAY
Harrison is seated at a very nice bar. A superb band is playing on the stage. Harrison has an exotic-looking drink in his hand. The BARTENDER, while wiping down the counter, confronts Harrison.
BARTENDER
What are you smiling about, asshole?
HARRISON
Brother, I've got it all. Money, hair, and freedom.
CUT TO:
CREDITS ON BLACK SCREEN
AFTER ALL CREDITS ARE DONE FADE UP TO:
EXT STREET
Lila is sitting on the street, holding her shaven head. Many Salvadoran children are rubbing her head. She sits up and waves away the children. She stands up and dries her eyes, then walks towards a sleazy bar. She slams her open bloody palm down on the counter to get the bartender's attention. She speaks in flawless Spanish, without subtitles.
LILA
Pendejo. Tienes cambio?
CUT TO BLACK